“God is also glorified in astronomy through my work.” –Johannes Kepler
Don has composed and played jazz since the ’50s, was a Frank Zappa sideman through his classic ’60s albums and beyond, and has since released 20+ albums, scored 20 films, and has performed with numerous artists including John Lennon, Lou Rawls, and Nat King Cole. He has also been called “the father of modern synthesis” for his work in electronic music.
We discuss “Winds of Change” (3rd movement, 2001), “Palmer Park” (1975), and “Analog Heaven #7” (1975). End song: “Piano Solo” from TriAngular Bent (2016). Opening/closing music: “King Kong” from Uncle Meat by the Mothers of Invention (1969).
What’s “mother!” all about? Here are a few attempts to answer that question in a single sentence.
Radio legend Dr. Drew Pinsky talks with us about “Attachment and Reflective Function: Their Role in Self-organization” by Peter Fonagy and two articles by Allan Schore.
The focus is “theory of mind”; how do we develop the ability to impute thoughts and intentions to others? What in our upbringing can interfere with this development? We relate this back to previous episodes (Hegel, Buber, etc.) on recognition by others of the self.
“The Goal of Science is understanding lawful relations among natural phenomena. Religion is a way of life within a larger framework of meaning.”–Ian Barbour
Continuing on Why Buddhism Is True. We discuss the “no self” doctrine as articulated in Buddha’s Second Discourse and the modularity-of-mind theory that Bob claims supports it. What are the ethical implications, and do we really need meditation to achieve its alleged ethical benefits?
End song: “Alphalpha Bhang” by Anton Barbeau, as interviewed on Nakedly Examined Music ep. 50.
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“Your father was a computer engineer; your mother was a concert pianist, and when the spaceship lands, they make music together on the computer.”
Kaki is a guitar virtuoso who has recorded eight albums and three EPs of largely instrumental work since 2003.
We discuss “Close Your Eyes & You’ll Burst into Flame,” from Everybody Loves You (2003), “Can Anyone Who Has Heard This Music Really Be a Bad Person?” from Dreaming of Revenge (2008) (intro music: “Pull Me Out Alive” from that album), and “Trying to Speak II” (feat. Ethel), from The Neck Is a Bridge to the Body (2015). End song: “Cargo Cult” from Glow (2012).
For more info visit kakiking.com.
“I am against religion because it teaches us to be satisfied with not understanding the world.” –Richard Dawkins
King Laius died at the Cleft Way, where he got in the way of an emigrant to Thebes who happened also to be his son. The prophecy was that Oedipus would be the death of Laius, and it was in the name of avoiding this fate that father and son worked together to seal it. Continue Reading …
In the second installment of a two-part series, Nicholas Joll examines a view that morality is impossible and explores the opportunities offered by possible worlds.
Bob joins the PEL four to discuss his new book Why Buddhism Is True: The Science and Philosophy of Meditation and Enlightenment. Bob applies his expertise in evolutionary psychology to corroborate Buddhism’s claims that we are deluded: about our desires, emotions, the unity of our selves, and the “essences” we project on things and people. And he thinks meditation can instill in the diligent the ability to see things more clearly. But does it really?
David has recorded seven albums since 2000. Usually one wants to avoid the term “Beatlesque,” but David is a Beatles freak who once recorded his performances all 209 Beatles songs over 209 days.
We discuss “Time to Go” from David Brookings and the Average Lookings (2016), “Dead Battery” from Chorus Verses the Bridge (2005), and the title track from Obsessed (2007). We conclude by listening to “If I Don’t Make It Back” from The Maze (2013). Opening music: “You’re Right, It Went So Wrong” from the current album.
What are science, religion, and secularism? How have they interacted, historically, and what are the major issues in contemporary reflection on them? A new series explores these questions through the works of the scientists, theologians, and philosophers who have shaped the dialogue over the last century and a half.
Mark and Seth ask Doug Lain (Zero Squared), Brett O’Shea (Revolutionary Left Radio), and C. Derick Varn (Symptomatic Redness) what they think of Debord and PEL’s treatment of the book on Ep #170.
Our chinwag this time concerns two works by the remarkable Clarice Lispector, the novella The Hour of the Star and the short story “The Departure of the Train.”
Hear more Phi Fic discussions at PhiFicPodcast.
More on the 1967 Situtationist book. Do we buy Debord’s critique? Is any merely partial critique (i.e., no revolution) just more spectacle? Is technology inherently dehumanizing? Don’t these passivity/anti-technology arguments even apply to books? Could Debord’s model of authenticity catch on in society as a whole?
End song: “Millionaire” by The Mekons (1993); Jon Langford appears on Nakedly Examined Music #22.
Kim is a poet, archivist, and New York City tour guide. We discuss his album plum plum featuring “The Dream Band”: his producer friend Don Fleming, Joe Bouchard (Blue Öyster Cult), Steve Shelley (Sonic Youth) and NEM guest Gary Lucas. We discuss “Circle’s Gotta Go” and “Arizona Burning,” and conclude with “Claudine.” We also discuss “I Comb My Hair with My Hand” by Jad Fair and the Shapir-O’Rama from We Are the Rage (1996). Intro: “East Side Story” by When People Were Shorter and Lived Near the Water from Bill Kennedy’s Showtime (1993). Follow Kim on Facebook.
What is culture? In modern capitalism, Debord’s 1967 book describes it as all about the economy. It’s not just our jobs that keep us trapped, but our life outside of working hours is also demanded by “the system” via our activity as consumers, and this commoditization infiltrates every corner of our lives. Debord wants us to WAKE UP, break our chains, and live lives of immediacy, vitality, and authenticity.