The films of Austrian director Michael Haneke seem to start out “normally” and then slowly descend into an abyss—but what if that abyss is in fact living authentically? Could we see Haneke’s award-winning Caché (2005) as an exemplification of Sartrean existentialism? And what are some other philosophical influences in his work?
A hotly debated topic in the philosophy of science is whether we should consider our scientific and social scientific theories descriptions of reality, or if we should instead just consider them instruments for influencing the world. One of the main difficulties facing proponents of scientific anti-realism is distinguishing themselves from anti-realists more generally.
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“If you drop a hammer on your foot, is it real or is it just your imagination? You can run that test, you know, a couple of times, and I hope you come to agree that it’s probably real.” –Bill Nye
An excerpt from Christopher Yeomans’s
Socioeconomic policies, not symbolic gestures, are the proper means for combating racism and improving the lives of African Americans.
Adorno thinks that we get the notions of subjective and objective the wrong way around. An inquiry that starts with the experience of discussing a film suggests that he may be right.
Nathan Gilmour (Christian Humanist podcast) and Rob Dyer (God Complex Radio) joined Mark and Wes for a wide-ranging discussion on the reasonableness of religious belief, covering short articles by Alvin Plantinga, Antony Flew, Richard Swinburne, and others.