The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
You can also see them organized by topic. For episodes marked "Preview," you can access the full episode at our store, or you could become a PEL Citizen and get them from our Free Stuff for Citizens page.
Listen here to a few highlights from two recent discussions between Mark and Wes: We chase down some issues from ep. 189, relating authorial intent to philosophy of language more generally, then we have some preliminary discussion about the possibility of a future identity politics episode.
Get the full discussions by becoming a PEL Citizen or $5/month Patreon supporter.
Wes and Mark try to figure out whether anyone wants us to have a full episode on identity politics, maybe reading some Francis Fukuyama or some Ta-Nehisi Coates. We’ve already talked about white privilege, Orwellian “nationalism,” free speech, electoral strategy, James Baldwin, etc. What’s left?
On Darren Aronofsky’s philosophical 2017 film about humanity’s relationship to nature. We discuss the philosophical content of the film (Gnosticism, anyone?) and explore the relation between meaning and the sensuous aspects of an artwork. Can a work be both allegorical and yet have fully fleshed out characters and the other elements that make a film feel real? This was a very polarizing film; how do the circumstances of viewing affect reception? With guest Tim Nicholas.
End song: “The Day of Wrath, That Day,” by Sarah McQuaid, as interviewed on Nakedly Examined Music #72.
Please support PEL! Citizens and $5 Patreon supporters will get access to a bonus discussion on identity politics this week.
Sponsors: Free month trial of The Great Courses +: thegreatcoursesplus.com/PEL. St. John’s College: partiallyexaminedlife.com/sjc.
Continuing on “The Death of the Author” by Roland Barthes (1967) and “What Is an Author?” by Michel Foucault (1969), and finally getting to “Against Theory” by Steven Knapp and Walter Benn Michaels (1982).
What could it mean to say that a text, once written, speaks itself? We get into Foucault’s critique of the cult of the author and the reader-centric types of analysis he proposes in its place. Plus, Knapp and Michaels’s poem written by natural forces on a rock. Crazy stuff!
Hear part 1, or get the Citizen Edition and supporters’ part 3.
End song: “The Auteur” by David J (2018). Listen to Mark’s interview with him in Nakedly Examined Music #73.
Sponsor: Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service.
A bonus discussion between Mark and Wes for supporters! We give some philosophy of language context for the issues of meaning brought up in ep 189. Plus, some discussion of the critic James Wood, and analyzing T.S. Eliot’s “Love Song of J. Alfred Prufrock.”
On four essays about how to interpret artworks: “The Intentional Fallacy” by W. K. Wimsatt and Monroe Beardsley (1946), “The Death of the Author” by Roland Barthes (1967), “What Is an Author?” by Michel Foucault (1969), and “Against Theory” by Steven Knapp and Walter Benn Michaels (1982). When you’re trying to figure out what, say, a poem means, isn’t the best way to do that to just ask the author? Most of these guys say no, and that’s supposed to reveal something about the nature of meaning.
This continues on part two, or support us for access to the ad-free, unbroken Citizen Edition plus a one-hour follow-up discussion.
Sponsors: Rover.com/partiallyexamined, code “partiallyexamined” = $25 off pet care, storyworth.com/pel for $20 off. partiallyexaminedlife.com/sjc to learn about St. John’s College.
On four essays about how to interpret artworks: “The Intentional Fallacy” by W. K. Wimsatt and Monroe Beardsley (1946), “The Death of the Author” by Roland Barthes (1967), “What Is an Author?” by Michel Foucault (1969), and “Against Theory” by Steven Knapp and Walter Benn Michaels (1982). When you’re trying to figure out what, say, a poem means, isn’t the best way to do that to just ask the author? Most of these guys say no, and that’s supposed to reveal something about the nature of meaning.
End song: “The Auteur” by David J (2018). Listen to Mark’s interview with him in Nakedly Examined Music #73.
Also check out the follow-up discussion.
Concluding our discussion of Aristophanes’s play with Lucy Lawless and Emily Perkins. We focus on trying to connect its lessons to the here and now: Is Lysistrata’s victory properly described as the ascension of some kind of “feminine spirit” over warlike values, and how does that actually relate to women’s struggles now to attain positions of power?
Listen to our performance and then part one of the discussion before listening to this (or get the ad-free, unbroken Citizen Edition). Please support PEL!
Sponsors: Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service. Get 20% off your first order of premium menswear essentials at mackweldon.com, promo code PEL.
We are rejoined by actresses Lucy Lawless and Emily Perkins to discuss Aristophanes’s bawdy play. Listen to us perform it first.
Supplementary readings included Jeffery Henderson’s introduction to his 1988 translation of the play; “Sexual Humor and Harmony in Lysistrata” by Jay M. Semel (1981); and “The ‘Female Intruder’ Reconsidered: Women in Aristophanes’ Lysistrata and Ecclesiazusae” by Helene P. Foley (1982).
Continue with part two, or get the unbroken, ad-free Citizen Edition. Please support PEL!
Sponsors: Get a free trial and 10% off your first purchase of a website or domain at squarespace.com/examined, offer code EXAMINED. Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service. Please also check out the St. John’s College Graduate Institute: partiallyexaminedlife.com/sjcgi.
We are rejoined by actresses Lucy Lawless and Emily Perkins to discuss Aristophanes’s bawdy play. Listen to us perform it first.
Supplementary readings included Jeffery Henderson’s introduction to his 1988 translation of the play; “Sexual Humor and Harmony in Lysistrata” by Jay M. Semel (1981); and “The ‘Female Intruder’ Reconsidered: Women in Aristophanes’ Lysistrata and Ecclesiazusae” by Helene P. Foley (1982).
End song: “Women of Industry (ABWA Charm)” by Jill Sobule, as interviewed on Nakedly Examined Music #18.
The PEL Players return to perform a “cold read” of Aristophanes’s play about using a sex strike to end war, first performed in 411 BCE. Jeffrey Henderson’s translation makes this very accessible, and it’s still really damn funny. Your hosts are joined by five real actors from TV, film, and Broadway. We will be following this up in ep. 188 with a full discussion of the play and the issues it raises.
We’re pleased to bring you this performance without commercial interruptions. Why not respond in loving kind by tipping some pennies into the hat?
Three substantial chunks of a follow-up conversation to our free speech episode. Mark and Wes discuss Jordan Peterson on speech, organizations promoting certain speech (as opposed to restricting), insults vs. arguments, offense vs. harm, “incoherence” arguments like Fish’s, fundamental principles in ethics, and more.
Get the full discussion by becoming a PEL Citizen or Patreon supporter.
Continuing our free-form discussion, trying to make sense of Stanley Fish’s “There’s No Such Thing as Free Speech, and It’s a Good Thing, Too” (1994) and other potential rationales for prohibiting hate speech. How might the same sentence or idea be used in different speech acts, some of which might be legitimately censured but others not?
Listen to part one first, or get the Citizen Edition, along with the full-length follow-up discussion by Mark and Wes.
Sponsors: Visit Squarespace.com for a free trial and 10% off with offer code EXAMINED and the St. John’s College Graduate Institute: partiallyexaminedlife.com/sjcgi.
Mark and Wes continue the discussion from ep. 187. We watched some Jordan Peterson, so we talk about his position a bit, and about the appropriateness of organizations encouraging certain kinds of speech, the offense principle, the difference (and overlap!) between good-faith arguments and insults, conspiracy theories, “incoherence arguments” like Fish’s (also used by Kant, Rand, and others), and “fundamental moral principles”: Does that concept even make sense given that any principle requires judgement and probably sub-principles to apply it to real situations?
End song: “Combine Man” by RHEMA, as discussed on Nakedly Examined Music #67.
A free-form discussion drawing on Stanley Fish’s “There’s No Such Thing as Free Speech, and It’s a Good Thing, Too” (1994), Joel Feinberg’s “Limits to the Free Expression of Opinion” (1975), and other sources.
What are the legitimate limits on free speech? Feinberg delves into the harm and offense principles. Fish argues that every claim to free speech has ideological assumptions actually favoring some types of speech baked into it. A lively back and forth ensues!
Don’t wait for part two! Get the full, unbroken Citizen Edition now! Please support PEL! We’ll also be soon releasing a full-length follow-up discussion to this one between Mark and Wes, just for supporters.
A free-form discussion drawing on Stanley Fish’s “There’s No Such Thing as Free Speech, and It’s a Good Thing, Too” (1994), Joel Feinberg’s “Limits to the Free Expression of Opinion” (1975), and other sources.
What are the legitimate limits on free speech? Feinberg delves into the harm and offense principles. Fish argues that every claim to free speech has ideological assumptions actually favoring some types of speech baked into it. A lively back and forth ensues, which Mark and Wes then continued in a supporter-only, 90-minute follow-up.
End song: “We Don’t Talk about It” by Steve Wynn, as interviewed on Nakedly Examined Music #43.
Continuing on How to Do Things with Words (lectures from 1955), covering lectures 5–9.
Austin tries and fails to come up with a way to grammatically distinguish performatives from other utterances, and so turns to his more complicated system of aspects of a single act: locutionary, illocutionary, perlocutionary. In doing so, he perlocutionarily blows our minds.
Listen to part one first, or get the ad-free Citizen Edition. Please support PEL!
Sponsors: Get a free trial and 10% off your first purchase of a website or domain at squarespace.com, offer code PEL. Visit thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service.
On How to Do Things with Words (lectures from 1955).
What’s the relationship between language and the world? Austin says it’s not all about descriptive true-or-false statements, but also includes “performatives” like “I promise…” and “I do” (spoken in a wedding) that are actions unto themselves. They can’t be true or false, but they can be “unhappy” if social conventions aren’t fulfilled (e.g., you try to marry a pig). Austin thinks performatives will change your whole view of language and of linguistically expressed philosophical problems!
Don’t wait for part two! Get the ad-free, unbroken Citizen Edition now! Please support PEL.
Sponsors: Visit Squarespace.com for a free trial and 10% off with offer code EXAMINED and thegreatcoursesplus.com/PEL for a one-month free trial of The Great Courses Plus Video Learning Service.
On How to Do Things with Words (lectures from 1955).
What’s the relationship between language and the world? Austin says it’s not all about descriptive true-or-false statements, but also includes “performatives” like “I promise…” and “I do” (spoken in a wedding) that are actions unto themselves. They can’t be true or false, but they can be “unhappy” if social conventions aren’t fulfilled (e.g., you try to marry a pig). Austin thinks performatives will change your whole view of language and of linguistically expressed philosophical problems!
End song: “The Promise” by When In Rome. Listen to Mark interview singer/songwriter Clive Farrington on Nakedly Examined Music #40.
Continuing with Emily Wilson on her translation of the Greek epic poem. We discuss the oikos, or estate, built on violence, and its connection to xenia, or hospitality, which serves to forge military alliances. Also: status distinctions and the role of the gods in the text.
Listen to part one first, or get the ad-free, unbroken Citizen Edition. Please support PEL!
End song: “Tiny Broken Boats” by Arrica Rose, as interviewed on Nakedly Examined Music #66.
Sponsors: Get $25 off dog-walking at rover.com/partiallyexamined, promo code partiallyexamined. Get a free trial and 10% off your first purchase of a website or domain at squarespace.com, offer code PEL. Try TextExpander’s snippets at textexpander.com/podcast and get 20% off your first year. Check out Seth Godin’s Akimbo podcast sethspodcast.com.
