NEM #73: David J Colors His Poetry

David J. Haskins gained fame with Bauhaus in the late ’70s/early ’80s, gained more fame with Love and Rockets, and has since 1983 released around ten albums plus several EPs and other collaborations.

We discuss “The Auteur (Redux / Reprise)” a 2018 single (featuring Rose McGowan and Emily Jane White), “Vaudeville Ghost Light” from Carpe Noctem (2016), credited to M.C. Nightshade and the Theatre Bizarre Orchestra, and “Eulogy for Jeff Buckley” from Not Long for This World (2011). End song: “The Day the David Bowie Died” from Vagabond Songs (2017). Opening song: “No New Tale to Tell” by Love and Rockets from Earth, Sun, Moon (1987). For more, see davidjonline.com.

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NEM#72: Sarah McQuaid Kills Her Darlings

Sarah has recorded five solo albums since 1997, starting with traditional folk songs, sometimes guitar instrumentals, and now focusing on originals that mix British and American folk in a style influenced by Joni Mitchell, among others. She has lately pared back her songwriting to ensure that every note counts.

We discuss the title track and “The Silence above Us” from If We Dig Any Deeper It Could Get Dangerous (2018) and “Hardwick’s Lofty Towers” from The Plum Tree and the Rose (2012). Closing song: “Yellowstone” from Walking into White (2015). Opening instrumental: “The Day of Wrath, That Day,” also from the new album. For more, see sarahmcquaid.com.

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NEM#71: Aaron David Gleason Is a Wry Observer

Aaron was born into show business, staring young in L.A. in the early ’00s with All Hours, then went solo, moved to New York, became an actor, and has now released his first album in seven years, Wry Observer.

We discuss the title track from that album plus “Brooklyn at Dawn” (the intro music is from that too: “The Last to Die in Battle”). Then we look back to “Box Office Stud” by All Hours (2004) and finish by listening to “Bright Lights” from the album Aaron David Gleason (2010). Learn more at aarondavidgleason.com.

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NEM#70: Amy Annelle’s Natural Environments

Amy has recorded nine albums of emotionally stark but often artistically decorated original folk music, punctuated by cover tunes like the opening music here, Townes Van Zandt’s “Buckskin Stallion Blues,” which appeared in the film Three Billboards Outside Ebbing, Missouri.
We discuss “Mouth to Mouth” from The Autopilot Knows You Best (2000), “The Nightjar’s Blues” from The Cimarron Banks (2010), and “Natural Arc” from Songs for Creeps (2006), which also contains our closer, “I’m A-Gone Down to the Greenfields.” Visit amyannelle.bandcamp.com.

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NEM#69: Craig Wedren Catch-Up: “Safe Home/Fadeland”

http://www.podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/NEM_ep_069_2-1-18.mp3Podcast (nakedly-examined-music-podcast): Play in new window | Download (Duration: 36:51 — 33.9MB)On NEM#15, Craig introduced us to his songwriting style: How a hardcore aesthetic informs even his most syntho creations, and how whimsicality and beauty can coexist harmoniously. Craig has since then released the Adult Desire album, and returns to talk to us about the song “Safe Home/Fadeland” and about Continue Reading …

NEM#68: Billy James (Ant-Bee): Experimenting with Idols

Billy now does press for many of his idols, but began as a drummer in music school and started Ant-Bee in the late ’80s, as a Zappa-esque improv live act and as a Beach Boys–psychedelic solo recording effort. He’s released four albums, increasingly featuring his clients.

We discuss two tracks from Electronic Church Muzik (2011): “Flutter-Bye, Butter-Flye” (feat. Michael Bruce) and “The Language of the Body” (feat. poetry by Gong’s Daevid Allen and layering on parts by Zappa alums). We then look back to two tracks from With My Favorite “Vegetables” & Other Bizarre Muzik (1994): “The Girl with the Stars in Her Hair” and a Beach Boys cover, “Do You Like Worms?” Opening/closing music: “Eating Chocolate Cake (In the Bath)” from Pure Electric Honey (1990). For more info, see ant-bee.com and glassonyonpr.com.

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NEM#67: RHEMA’s Marc Jackson and Jeffrey Casey: Original Gangastas of Techno

RHEMA as a six-piece band produced an album called Voyage of the Rock Aliens that accompanied their appearance in the film of that name. The band then broke up, but songwriters Marc and Jeffrey continued to work together on various projects, and have finally now produced a proper album as RHEMA called Shine, drawing on their ’80s roots but incorporating modern electronic music textures.

We discuss “Rebel Flame” and “The World Is So Small” and listen to “Life in Front of You” from that new album, and discuss one old song, “Combine Man,” specifically a 2009 Marc Jackson remix. Intro: “21st Century.” For more information, see rhemaband.com.

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NEM#66: Arrica Rose’s Dreamy Dramas

Arrica has released five albums and three EPs of floaty, poetic, California rock since 2006.

We discuss “Whole Lotta Lows” and “X-Ray Eyes” from Low as the Moon (2017) and “When the Clouds Hang This Low” from Let Alone Sea (2011). We conclude by listening to “On and On” by Dear County from Low Country (2016). Intro music: “Sail Away” from Antebellum (2010). For more, visit arricarose.com.

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NEM#65: Jherek Bischoff Risks Every String

Jherek started off as bassist in the late ’90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works.

We discuss the title track from Cistern (2016), “The Nest” featuring Mirah from Composed (2012), and “Blackstar,” featuring Anna Calvi, from a David Bowie tribute with Amanda Palmer called Strung Out in Heaven (2016). We conclude by listening to “Eyes” feat. David Byrne, also from Composed. Opening/closing music: “Automatism” from Cistern. For more info, see jherekbischoff.com.

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NEM#61: Richard X. Heyman Is Incognito (Yet a Cornerstone)

Richard garnered early fame as drummer for ’60s New Jersey garage band The Doughboys and has put out 11 albums, largely as a one-man band, since 1988.

We discuss the title tracks from Incognito (2017) and Cornerstone (1998) and “Agnostic’s Prayer” from Tiers and Other Stories (2011). End song: “And Then” from Incognito. Intro: “Falling Away” from Hey Man! (1990).

Learn more at richardxheyman.com.

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NEM#60: Alejandro Escovedo’s Hard Road

Alejandro started as a punk guitarist for the The Nuns, moved to Austin in the ’80s and became a songwriter with True Believers. He has since put out 14+ solo albums of story-driven, lyrically intense, stylistically varied Texas rock.

We discuss “Beauty and the Buzz” from Burn Something Beautiful (2016), “Sally Was a Cop” from Big Station (2012), and “Pissed Off 2AM” from With These Hands (1996). End song: “Velvet Guitar” from A Man Under the Influence (2001). Opening: “Hard Road” from True Believers (1986). More at alejandroescovedo.com.

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NEM #56: “Dr. Frank” Portman Writes His Inner Teenager

Frank has led punk band The Mr. T Experience in the Bay Area since 1985, and has also released three successful music-related books for teens since 2006.

We discuss “Down With the Universe” from King Dork Approximately (2016), “Big, Strange, Beautiful Hammer” from Yesterday Rules (2004), and “More Than Toast” from Our Bodies Our Selves (1993). We conclude by listening to “Even Hitler Had a Girlfriend,” a 2014 single by Dr. Frank & the Bye-Bye Blackbirds. Opening/closing music: “Danny Partridge” from Everybody’s Entitled to Their Own Opinion (1986). Learn more at frankportman.com.

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NEM #55: Don Preston, Mother of Keyboard Invention

Don has composed and played jazz since the ’50s, was a Frank Zappa sideman through his classic ’60s albums and beyond, and has since released 20+ albums, scored 20 films, and has performed with numerous artists including John Lennon, Lou Rawls, and Nat King Cole. He has also been called “the father of modern synthesis” for his work in electronic music.

We discuss “Winds of Change” (3rd movement, 2001), “Palmer Park” (1975), and “Analog Heaven #7” (1975). End song: “Piano Solo” from TriAngular Bent (2016). Opening/closing music: “King Kong” from Uncle Meat by the Mothers of Invention (1969).

This conversation includes bonus conversations and songs! Get it by supporting the podcast via patreon.com/nakedlyexaminedmusic or through a podcast network membership.

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NEM #54: Kaki King’s Guitar Progression

Kaki is a guitar virtuoso who has recorded eight albums and three EPs of largely instrumental work since 2003.

We discuss “Close Your Eyes & You’ll Burst into Flame,” from Everybody Loves You (2003), “Can Anyone Who Has Heard This Music Really Be a Bad Person?” from Dreaming of Revenge (2008) (intro music: “Pull Me Out Alive” from that album), and “Trying to Speak II” (feat. Ethel), from The Neck Is a Bridge to the Body (2015). End song: “Cargo Cult” from Glow (2012).

For more info visit kakiking.com.

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NEM #53: David Brookings Is Obsessed

David has recorded seven albums since 2000. Usually one wants to avoid the term “Beatlesque,” but David is a Beatles freak who once recorded his performances all 209 Beatles songs over 209 days.

We discuss “Time to Go” from David Brookings and the Average Lookings (2016), “Dead Battery” from Chorus Verses the Bridge (2005), and the title track from Obsessed (2007). We conclude by listening to “If I Don’t Make It Back” from The Maze (2013). Opening music: “You’re Right, It Went So Wrong” from the current album.

For more, see davidbrookings.net. Hear more Nakedly Examined Music. Like our Facebook page. Please support the podcast at patreon.com/nakedlyexaminedmusic.

NEM #52: Kim Rancourt’s Authentic NYC Rock n’ Roll

Kim is a poet, archivist, and New York City tour guide. We discuss his album plum plum featuring “The Dream Band”: his producer friend Don Fleming, Joe Bouchard (Blue Öyster Cult), Steve Shelley (Sonic Youth) and NEM guest Gary Lucas. We discuss “Circle’s Gotta Go” and “Arizona Burning,” and conclude with “Claudine.” We also discuss “I Comb My Hair with My Hand” by Jad Fair and the Shapir-O’Rama from We Are the Rage (1996). Intro: “East Side Story” by When People Were Shorter and Lived Near the Water from Bill Kennedy’s Showtime (1993). Follow Kim on Facebook.

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NEM #51: Andy Powell (Wishbone Ash): The Privilege of a Legacy

Britain’s Wishbone Ash started in 1969 and has released 25+ albums, with guitarist/singer Andy the sole member left from the original band.

We discuss “American Century” from Blue Horizon (2014), “Master of Disguise” from Bare Bones (1999), and “Roads of Day to Day” (1970, released on First Light, 2007). End song: “In Crisis” from The Power of Eternity (2007). Intro music: “Blowin’ Free” from Argus (1972). Visit wishboneash.com for more.

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NEM #50: Anton Barbeau’s Neo-Psychedelic Musings

Californian-turned-British singer-songwriter Anton has released over 25 albums since 1993, generally moving from alterna-guitar-pop to colorful-pychedelic, but remaining tuneful.

We discuss “High Noon” and (and listen to “Swindon”) from Magic Act (2016), “Dust Beneath My Wings” by Three Minute Tease (2011) and its subsequent incarnations, and the title track from In the Village of the Apple Sun (2006). Intro: “King of Missouri” (2002). Learn more at antonbarbeau.com.

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NEM #48: Thalia Zedek’s Slow Burn Memory Games

Most famous for her ’90s Boston grunge band Come, Thalia has since 2001 put out six albums and some EPs, with a stripped-down yet not acoustic sound that makes good use of her low, smoky voice and tasteful electric guitar, often accompanied by viola and/or piano with prominent drums.

We discuss “Northwest Branch” by The Thalia Zedek Band from Eve (2016); opening music is “Afloat,” also from that album. We then cover “Desanctified (Full Circle)” from Been Here and Gone (2001) and “Hell is in Hello” from Trust Not Those in Whom Without Some Touch of Madness (2004). End song: “Regatta” from the self-titled debut album (2016) by a collaboration called E.

Learn more at thaliazedek.bandcamp.com and Thalia’s Facebook page. Hear bonus audio for this episode by supporting NEM at patreon.com/nakedlyexaminedmusic or through a a PEL podcast network membership.

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NEM #46: Chandler Travis: Strongman of North America

Chandler was a comedian in the ’70s, launched a rock group in the ’80s, and has released dozens of albums, fronting multiple bands at a time.

We discuss “The Strongman of North America” by The Chandler Travis Philharmonic from Waving Kissyhead Vol. 2 & 1 (2017), “The Crutch of Music” by the Catbirds from Catbirds Say Yeah (2012), and “Fluffy” by the Philharmonic from Llama Rhymes (2003). We conclude by listening to another Kissyhead track, “By the Way.” Opening music: “Long As You Have Somebody Else” by The Incredible Casuals from That’s That (1987). For more, see chandlertravis.com.

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