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Episode 119: Nietzsche on Tragedy and the Psychology of Art

July 6, 2015 by Mark Linsenmayer 14 Comments

http://www.podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PEL_ep_119_6-15-15.mp3

Podcast: Play in new window | Download (Duration: 2:46:00 — 152.1MB)

On Friedrich Nietzsche's The Birth of Tragedy (1872), which was his first book.

What's the connection between art and society? Nietzsche thought that you could tell how vital or decadent a civilization was by its art, and said that ancient Greek tragedy (like Antigone) was so great because it was a perfect synthesis of something highly formal/orderly/beautiful with the intuitive/unconscious/chaotic. He calls these two elements the Apollonian and the Dionysian and gives a whole history of the rise and fall of ancient Greece as seen through their art. They were noble savages, but channeled their savagery in a way that formed what Nietzsche later called master morality. Whereas later, playwrights like Euripides lost touch with the chaotic side, really lost sight of themselves, and this was reflected in Western philosophy and later science from Socrates to the present. Can we stir the pot now to get a re-birth of tragedy in this awesome sense? Nietzsche was ultimately not optimistic.

The full four are rejoined by drama guy John Castro. Read more about it and get the text. If you're interested in that Nietzsche biography mentioned at the beginning of the episode, look here.

This recording concludes with a preview of the Aftershow, where we got Dr. Gregory B. Sader to come tell us how we got it wrong. PEL Citizens can get the full audio of that beamed straight to their mobile devices with our Citizen feed. Please support PEL!

End song: "Some Act" by Mark Lint and the Fake from "So Whaddaya Think?" (2000) Get the whole album free.

Nietzsche picture by Genevieve Arnold.

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Filed Under: Podcast Episodes Tagged With: aesthetics, Friedrich Nietzsche, Greek tragedy, philosophy of art, philosophy podcast, psychology

Comments

  1. Geir Byrkjeland says

    July 6, 2015 at 12:35 pm

    Isn’t downcast iOS only? Or am I completely off? Can’t find it on Google play at least.

    Reply
    • Mark Linsenmayer says

      July 6, 2015 at 2:12 pm

      Crap, you’re right. Not sure where I got that info.

      A quick web search reveals this: http://appcrawlr.com/android/acast. Can you please try it and let me know if it’s good and works for this?

      Reply
    • Seth Paskin says

      July 6, 2015 at 2:35 pm

      Hey Geir
      On Android try Podcast Republic. It supports authentication to get the Citizen feed. When you add a podcast feed you’ll see a button for “Authenticate…”. Click that and select the HTTP option.
      Seth

      Reply
      • Geir Byrkjeland says

        July 6, 2015 at 5:47 pm

        Great, the Podcast Republic one works fine.

        -Geir

        Reply
  2. Marc says

    July 6, 2015 at 4:24 pm

    That picture of Antigone looks a little like Nietzsche

    Reply
  3. Mark Wendland says

    July 11, 2015 at 9:40 am

    I recently finished reading Iain McGilchrist’s *The Master and His Emissary* If you aren’t familiar with it, this condensed lecture via RSA Animate is a good summary: http://youtu.be/dFs9WO2B8uI

    The first section of the book is a revealuation of the function of the hemispheres of the brain. In the second section he goes on to name the Greek period as one of a few periods of balance in the history of societies.

    I don’t think Neitzsche and McGilchrist are saying the same thing, but the concept of the proper balance between impulses is one that they share.

    Reply
    • Peter Hardy says

      July 13, 2015 at 5:24 am

      I think all philosophical disputes involve such modalities or dichotomies, but I think you’re right that Nietzsche and McGilchrist are concerned with broadly the same thing there, well observed. With McGilchrist, you may be interested in how I relate this to Jesus in the last paragraph of my article on here: http://partiallyexaminedlife.com/2015/06/18/parables-as-a-guide-to-jesus-the-philosopher-pt-4-imprudence/

      Reply
      • Mark says

        July 13, 2015 at 8:24 am

        Thanks Peter; enjoyed reading your thoughts. Appreciate the tip on Derrida (leftbrain/logocentricism) especially.

        Reply

Trackbacks

  1. Episode 119: Nietzsche on Tragedy and the Psychology of Art (Part Three) | The Partially Examined Life Philosophy Podcast | A Philosophy Podcast and Blog says:
    July 20, 2015 at 7:00 am

    […] to parts one and two […]

    Reply
  2. Ep. 119 Aftershow (Preview) on Nietzsche feat. Greg Sadler | The Partially Examined Life Philosophy Podcast | A Philosophy Podcast and Blog says:
    August 7, 2015 at 7:46 am

    […] hashing over of topics raised in our three-part episode on Nietzsche's Birth of Tragedy, your hosts Seth Paskin and Danny Lobell welcome Internet philosophy instructor extraordinaire Dr. […]

    Reply
  3. Philosophy of History Part XIV: Friedrich Nietzsche: History as Art | The Partially Examined Life Philosophy Podcast | A Philosophy Podcast and Blog says:
    October 15, 2015 at 7:00 am

    […] Friedrich Nietzsche (1844–1900) once wrote: “I love the great despisers, for they are the great adorers, and arrows of longing for the other shore.” He was such a despiser, and such an arrow, and he has been loved by millions for his philosophical poetry. Anyone who has stared in complete disbelief at the invincible, triumphant stupidity of mass culture, or who has longed to do something noble with their lives, will find passages in his work to move them. To long for another shore in the face of such mindlessness is only human. But Nietzsche was an adorer no less than a despiser, and we may well wonder about the aristocratic ethos he held up for our adoration. Even as he wrote, an age of warrior heroes was already beginning—an age characterized by nothing so much as the herd amorality of hundreds of thousands of Nietzschlings in high office, each privately convinced that there was no sin but stupidity, no shame but defeat, and no problem that ruthlessness couldn’t overcome. Zarathustra would have found much to admire in the men who reduced a great civilization to ashes, and bequeathed to posterity a legacy of horror that will not soon be forgotten. […]

    Reply
  4. Playing God: The Rise of the Actor and the Decline of Tragic Art | The Partially Examined Life Philosophy Podcast | A Philosophy Podcast and Blog says:
    February 11, 2017 at 7:00 am

    […] Birth of Tragedy, Friedrich Nietzsche argues that, through his protégé Euripides, Socrates had injected into Greek tragedy the seed of […]

    Reply
  5. The Philosophy of Nietzsche: A Collection of Online Resources and Key Quotes – The Daily Idea says:
    September 5, 2019 at 7:23 pm

    […] Nietzsche on Tragedy and the Psychology of Art […]

    Reply
  6. Playing God: The Rise of the Actor and the Decline of Tragic Art | Lancelot Kirby says:
    October 18, 2020 at 2:01 pm

    […] The Birth of Tragedy, Friedrich Nietzsche argues that through his protégé Euripides, Socrates had injected into Greek tragedy the seed of […]

    Reply

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