Wes Alwan joins Mark, Erica, and Brian to discuss Quentin Tarantino’s Once Upon a Time… In Hollywood in the context of Tarantino’s other films. Wes thinks the film is great, even though he’s not actually a Tarantino fan, and is working on a very long essay on it. We consider T’s strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a brilliant film or a fundamentally misguided idea badly in need of an editor?
Some articles we drew on:
- “On the Troubling Subtext of Once Upon a Time in Hollywood” by Jen Chaney
- “A Battle For Creative Freedom: Why The Tarantino Backlash Is Bad For Hollywood” by Travis Bean
- “Tarantino’s Gruesome Revenge Fantasies Are Growing More Puerile and Misogynistic” by Casper Salmon
Wes’s essay on this topic isn’t done, but he’s written plenty of long things about the media and has recorded several episodes of his own relevant PEL spin-off show, (sub)Text: Get it all here.
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