Do we need professional critics regulating our entertainment intake? Noah has written for numerous publications including The Washington Post, The Atlantic, NBC News, The Guardian, Slate, and Vox, and his work has come up for us in multiple past episodes. He was invited to join Mark, Erica, and Brian in spelling out the functions of criticism, the idea of criticism as art, ideological vs. aesthetic critique, and whether there's anything wrong with being negative about other people's art. We talk mostly about film, but Noah also writes about TV, comics, music, and more.
First, read some articles by Noah about criticism:
- "Why Hate?"
- "Hemingway vs. Ken Russell: Or Why You Should Compare Apples and Oranges"
- "On Art as Criticism and Criticism as Art"
- "In Praise of Criticism"
Other authors speaking on the utility of critics:
- "Do We Still Need Critics in This Age of Opinion?" by Sarah Donaldson
- "Are Music Critics Pointless?" by Emily Zemler
- "Accentuate the Positive: Why Music Critics Write So Many Favorable Reviews" by Timothy Gabrielle
- National Review critic Armond White talking about this on the Slashfilm podcast
- His review of 1917
- His pox-on-both-houses take on Scorsese and Marvel
- On Midsommar and Wicker Man
- What The Good Place finale inspired him to write
- His take on the Beatles-obsessed film Yesterday
- One of his many articles on Twilight
Included here with Noah's permission, here's some criticism directed at Noah:
- "Why Doesn't the Atlantic Fire Noah Berlatsky?" by Ted Rall
- "The Rant: Who the Hell is Noah Berlatsky & Why Is He Trashing Bob Dylan?" by Michael Goldberg
- "Worst Op-Ed of the Year? We Have a Weiner and His Name Is Noah Berlatsky" by Ken Silverstein
At the end, after Noah leaves, Mark lays out a taxonomy of criticism: supporter, decoder, taste enforcer, and hater. Noah practices all of these! Follow him on Twitter @nberlat and get scads of his writing by supporting him at patreon.com/noahberlatsky.
Watch the very first critic!
This episode includes bonus discussion that you can only hear by supporting the podcast at patreon.com/prettymuchpop. This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.