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Diana Christensen is a television executive in search of an angry show—something that articulates the rage of the average viewer. In Howard Beale, failed newscaster turned mad-as-hell prophet, she seems to get exactly what she’s looking for. Yet in doing so, she reduces political and social discontent to a form of entertainment focused on generating audience excitement and television ratings. Wes & Erin discuss the 1976 film Network, which seems to suggest that with the advent of mass media, acts of anti-establishment defiance tend to be incorporated by the systems they oppose.
The conversation continues on our after-show (post)script. Get this and other bonus content at by subscribing at Patreon.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Food with Former New York Times food journalist and bestselling author Mark Bittman; and Movie Therapy, in which Siskel & Ebert meets Dear Abby.
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Thanks to Nick Ketter for the audio editing on this episode.
What makes us most distinctively human, our reason or our emotions? How do we know when relationships with others are authentic, and when they’re just a matter of utility? Does civilization corrupt or improve us? Is honesty all it’s cracked up to be, or is lying a social inevitability? Which is more important to our happiness, love or work?
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