William Wordsworth wrote no fewer than 523 sonnets over the course of his career. (By comparison, the second most prolific Romantic sonneteer was Keats with a paltry 67.) Two of Wordsworth’s best-loved efforts in the form are both Petrarchan sonnets with the same rhyme scheme, written in the same year, published in the same volume. Yet their messages, at least at first blush, are fundamentally opposed; one admires London’s cityscape and establishes a truce between the trappings of human innovation and the untouched features of the natural world, while the other laments a developed, industrialized, disenchanted England. How might we reconcile Wordsworth’s two minds on city life? What characterizes his so-called pagan creed? And must devotion to an ideal alienate us from the tune—however discordant—of our own age? Wes & Erin discuss Wordsworth’s “Composed upon Westminster Bridge, September 3, 1802” and “The World is Too Much With Us.”
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