Stephen Spielberg once said that he was “still waiting to get out of [his] Peter Pan shoes and into [his] loafers.” Being a filmmaker, he said, was his way of remaining a child. Sort of. While his film “E.T.” is told from a child’s vantage point, it does not completely honor the wish to remain there. Like the alien he befriends, Eliot has been abandoned. And to this, many of us can relate. But in the end, the point of phoning home isn’t to get rescued by adults, but to avoid—even as we succumb to the responsibilities of adulthood—alienating our childhood talents for imagination and play.
Thanks to our sponsor for this episode, Buck Mason. To get a free t-shirt with your first order, head over to buckmason.com/subtext.
The conversation continues on our after-show (post)script. Get (post)script episodes by becoming a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.
This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Food with Former New York Times food journalist and bestselling author Mark Bittman; and Movie Therapy, in which Siskel & Ebert meets Dear Abby.
Email firstname.lastname@example.org to enquire about advertising on the podcast.