On Pretty Much Pop, a philosopher, an actor, and a sci-fi writer (often with entertainment industry guests) talk about media and how we consume it: TV, film, music, novels, games, comics, comedy, theater, podcasts, and more. Most of what (other) people like is pretty weird when you think about it, so thinking about it is what we do.
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In light of its being recently banned in some settings, we discuss Art Spiegelman’s Maus (1980-91), which conveys his father’s account of living through the Holocaust. We also consider other war-related graphic novels like Marjane Satrapi’s Persepolis (2000) and George Takei’s They Called Us Enemy (2019).
Mark is joined by comics scholar Vi Burlew, comics blerd/acting coach Anthony LeBlanc, and comedian/graphic novelist Daniel Lobell.
Are comics particularly effective in changing hearts and minds when they display people’s hardships? Should kids be exposed to the horrors of the world in this way? What about the complexities of social justice and gender identity? We also touch on Gilbert Gottfried and the relationship between humor and tragedy, learning history vs. reading one person’s experience, the ages at which became political, and how comics may have aided that.
Read Vi’s Washington Post editorial about censorship that inspired this episode.
Other relevant sources include:
- “Nine Poignant Graphic Novels on War and Violence” from The Curious Reader
- “Why Maus Opened the Door to Comics as Literature in Schools” by Jason Batt
- Video: “Arena: Art Spiegelman’s Maus” (1987)
- “‘MetaMaus’: The Story Behind Spiegelman’s Classic” from NPR’s Talk of the Nation
If you enjoyed this discussion, try our episodes featuring Vi talking about the trope of the heroine’s journey in film, Anthony talking about blerds, i.e. black nerds, and Daniel talking about the comic Peanuts.
Follow us @ViolaBurlew, @anthonyleblanc, @DanielLobel, and @MarkLinsenmayer.
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This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.
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