Podcast (nakedly-examined-music-podcast): Play in new window | Download (Duration: 1:36:30 — 132.7MB)

After studying at Boston’s New England Conservatory of Music, Alan released two albums with folk-rock band Knots and Crosses in the early 90s, put out one solo album in 1994, then became a freelance recording engineer and earned a PhD in ethnomusicology. He released three albums between 2010-2019 fronting Birdsong at Morning and released two more solo albums.
We discuss “Just Like Water” (and listen at the end to “Somewhere There’s a Train”) from Floating on the Dreamline (2026), “The Great Escape” by Birdsong at Morning from A Slight Departure (2015), and the title track to Curve of the Earth (1993) by Knots and Crosses (co-written with guitarist Rick Harris). Intro: “Neon Dreaming,” from Evidence Unearthed (2020), which is just a re-sung and remixed version of the track from Evidence (1994). More at alanwilliamsevidence.com.
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Hear all of “Neon Dreaming.” Watch the video for “Somewhere There’s a Train.” And here’s a sort of a color collage video for “Just Like Water.” He’s got several videos from the songs from his previous album on his YouTube channel; this also features some of the work he’s led with his students at U. Mass Lowell (including a King Crimson ensemble!). Watch the video for “The Great Escape.” Watch my favorite Birdsong at Morning song live.
Alan has also does some interesting (and generally very slow) cover tunes: “Love You To” (George Harrison/Beatles), “The Logical Song” (Supertramp), “Matte Kudasai” (King Crimson). And here’s Knots and Crosses playing “Walking on a Wire” (Richard and Linda Thompson) pretty faithfully.
Alan mentions (as an inspiration for “Just Like Water”) the XTC song “Love on a Farmboy’s Wages.”
Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.
Nakedly Examined Music is a podcast about making music: Why do we do it? Why do we do it the way we do it? Mark Linsenmayer interviews songwriters and composers famous and otherwise about specific recordings, which are presented in full on the podcast.
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