Here's an audio-only lecture by Lawrence Cahoone: Listen on youtube. Cahoone here emphasizes very different themes than we talked about on the episode, specifically the theistic themes (he characterizes "Spirit" as "pantheistic" or "panentheistic," both of which have been used to describe Spinoza; the former means everything is God, while the latter means everything is Continue Reading …
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Pretty Much Pop#120: Dexter the Loveable Serial Killer
Mark is joined by repeat offenders Lawrence Ware and Sarahlyn Bruck and new-to-the-podcast psych/philosophy student Michael Paskaru to talk about the Showtime TV horror-dramedy shows inspired by Jeff Lindsay's novels, in light of the revival show Dexter: New Blood. People loved this character so much that they were very mad that he didn't die at the end of the show's initial Continue Reading …
Pretty Much Pop #119: Disgraced Artists Like Cosby
Comedian Genevieve Joy, philosopher/NY Times entertainment writer Lawrence Ware, and novelist Sarahlyn Bruck join your host Mark to discuss how we deal with entertainers like R. Kelly, Michael Jackson, Woody Allen, et al. We all watched W. Kamau Bell's Showtime documentary We Need to Talk About Cosby, so most of our discussion is around that. None of us seem able to separate Continue Reading …
Pretty Much Pop #112: Class Critiques in Squid Game, Succession, etc.
Popular shows have commented on wealth inequality by showing how dire the situation is for the poor and/or how disconnected and clueless the rich are. How effective is this type of social commentary? Mark is joined by philosopher and NY Times writer Lawrence Ware, novelist and writing professor Sarahlyn Bruck, and educator with a rhetoric doctorate Michelle Parrinello-Cason Continue Reading …
PREVIEW-Ep. 278: Derrick Bell on the Dynamics of Racism (Part Two)
Subscribe to get Part 2 of this episode in its entirety. Citizens can get it here. Continuing from part one on Faces At the Bottom of the Well (1992) with guest Lawrence Ware. We discuss "The Racial Preference Licensing Act" (ch. 3), which plays with an idea (attributed to his fictional alter ego Geneva Crenshaw) that since businesses continue to discriminate (in hiring if Continue Reading …