The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
Mark, Erica and Brian (all manga noobs) are joined by Japanese Studies prof. Deborah Shamoon to talk about barriers for Americans to appreciate manga, different manga types (Deborah works on shojo manga, i.e. for girls), Osamu Tezuka (the “god of comics” who created Astro Boy et al), classic vs. new manga, gender portrayals, and more.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
We’re releasing JUST THIS ONE Nightcap to the wider public so induce you all to go support us and so gain the ability to hear these free-wheeling, feeling-sharing, email-reading fiestas between every regular episode.
This time we gripe about Habermas and reflect on what secondary sources we use. We consider whether to have an episode on anarchism and if we should ever have guests on who are hard-core adherents of the philosophy we’re discussing. We reveal which reading we’ve covered has pleasantly surprised each of us the most.
Finally, we talk about how to front-load our episodes so that folks who do not sign up to hear the part 2’s still get a satisfying, self-contained experience.
We answer listener emails and/or reflect on what secondary sources we use, anarchism, having on as guests adherents of the philosophy we’re discussing, which reading that we’ve covered that’s pleasantly surprised each of us the most, and how to front-load our episodes so that non-paying listeners are more OK with only hearing part one.
Continuing from part one on Jürgen Habermas’ “Actions, Speech Acts, Linguistically Mediated Interactions, and the Lifeworld” (1998), with guest John Foster.
We get into the details on the validity claims built into speech, how this provides the foundation for society, and Habermas’ the multi-layered “life-world.”
To listen to this, become a supporter at partiallyexaminedlife.com/support. Listen to a preview.
On Jürgen Habermas’ “Actions, Speech Acts, Linguistically Mediated Interactions, and the Lifeworld” (1998), with guest John Foster.
What’s the relation between individuals and society? Habermas says that language has ethics built right into it: I’m trying to get you to agree with me, to engage in a cooperative enterprise of mutual understanding.
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Mark, Erica, Brian, and guest Mike Wilson discuss the director’s films from Eraserhead to Inland Empire plus Twin Peaks and his recent short films. We get into the appeal and hallmarks of his mainstays–Blue Velvet, Wild at Heart, Lost Highway, and Mulholland Drive–and also consider outliers like Dune, The Elephant Man, and The Straight Story. How many of these films actually make sense, and is failing to do so bad?
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
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Ward has issued about ten releases of lyric-driven, stylish pop since 2003. We discuss the title track from Leonard at the Audit (2020), “Titans” from Diminish (2018), and the title track from Pulling Out (2008). Intro: “Sabbath” from Ward White Is the Matador (2014). End: “Bubble and Squeak,” also from the new album. For info see wardwhite.net.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.
On Jürgen Habermas’ “Actions, Speech Acts, Linguistically Mediated Interactions, and the Lifeworld” (1998), with guest John Foster.
What’s the relation between individuals and society? Habermas says that language has ethics built right into it: I’m trying to get you to agree with me, to engage in a cooperative enterprise of mutual understanding.
We’ve collected some highlights from the supporter-only aftertalks that we record with every episode to reveal to the general public. Feast upon these non-sequitur nuggets of wisdom and mirth!
Get all the aftertalks at patreon.com/prettymuchpop.
On “Theoretical Picture of a Free Society” (1934). What’s the ideal living situation for us all, given the peculiarities of human nature? Weil describes fulfillment as coming from being able to picture goals and plans and knowingly put them into effect, so social groups need to maximize that power by being small and cooperative.
End song: “Libreville” by Bill Bruford, as interviewed for Nakedly Examined Music #25.
Get this episode ad-free with a PEL Citizenship, which also gets you access to our PEL Nightcaps and future Part Two episodes.
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On “Theoretical Picture of a Free Society” (1934).
What’s the ideal living situation for us all, given the peculiarities of human nature? Weil describes fulfillment as coming from being able to picture goals and plans and knowingly put them into effect, so social groups need to maximize that power by being small and cooperative.
End song: “Libreville” by Bill Bruford, as interviewed for Nakedly Examined Music #25.
Prompted by the release of new album Folklore and the 2020 documentary Miss Americana, Mark, Erica, and Brian speak with Amber Padgett about her love of Taylor, ranking the albums, why the hate, weird levels of fan engagement, double standards for female artists, and more. Designed to interest fans, haters, and folks curious as to what all the fuss is about.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
Mark led Grand Funk Railroad through 13 albums in the 70s and early 80s and has had around eight solo releases.
We discuss “Nadean” from For the People (2006), “Not Yet” from Some Kind of Wonderful (1991), and the title track of Born to Die by Grand Funk Railroad. End song: “Take You Out.” Intro: “I’m Your Captain” from GFR’s Closer to Home (1979). For more see markfarner.com.
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The fourth in our series of fun, supporter-only, extra fun off-week discussions. Here we anticipate our Habermas reading, talk about our favorite podcast apps, non-gendered pronouns, the (sub)Text launch, and we discuss listener feedback asking about the history of “rights,” and blasting the approach in our early episodes. What kinds of criticism are worth responding to?
Concluding on “The Needs of the Soul” from The Need for Roots (1943). This time we cover punishment, security, risk, private property, collective property, freedom of opinion, and truth.
Start with part one or get the full, ad-free Citizen Edition. Supporting PEL will also get you access to our PEL Nightcaps
End song: “Even Though the Darkest Clouds” by liar, flower. Mark interviewed KatieJane Garside on Nakedly Examined Music #127.
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Remember when The Hunger Games was everywhere? Suzanne Collins returns to Just War Theory lessons with the prequel The Ballad of Songbirds and Snakes.
Mark, Erica, and Brian review the new book and look back on the YA novel/film franchise. Does the work critique yet glorify violence at the same time? Will the film version of the new novel be our next Phantom Menace?
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
More listener email and postings about things we could potentially cover. Edith Stein? Dietrich von HIldebrand? Fichte? Schelling? F.H. Bradley? Eric Hoffer? What’s everybody’s favorite era of philosophy? One listener suggests we do another political one surrounding the upcoming election. Or maybe redo things we covered many years ago.
But first, more about podcast and lecture listening habits. Hear Wes on vacation without his real microphone!
Continuing on “The Needs of the Soul” from The Need for Roots (1943). We got started in part one with our need for order, and in this part we add liberty, obedience, responsibility, equality, hierarchy, and honor.
We’ll conclude with part 3, covering freedom of speech, punishment and more, but you needn’t wait: Get the full, ad-free Citizen Edition now. and you’ll also get our Nightcap recordings.
Sponsor: Open a real estate portfolio at fundrise.com/PEL and get your first 90 days of advisory fees waived.
Your host dissects the collaborative chemistry with guitarist Matt Ackerman as the two front men of the band New People (2006-2013).
We discuss “Down So Low” (intro: “Love Is the Problem”) from The Easy Thing (2008), “Manager” from Impossible Things (2011), and “Local” and “At the Time” from Might Get It Right (2013), plus “We Who Have Escaped” (later in 2013, released on Songs from the Partially Examined Life). Intro: “Love Is the Problem” also from The Easy Thing. For more, see newpeopleband.com and marklint.bandcamp.com.
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The Interim Executive Producer of The Second City joins Mark, Erica, and Brian to discuss the scope of black nerd-dom: what nerdy properties provide to those who feel “othered,” using sci-fi to talk about race, Black Panther, afrofuturism, black anime fans, Star Trek, Key & Peele, Get Out vs. Us, and more.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
Sponsor: Get 15% off earbuds at BuyRaycon.com/Pretty w/ offer code “Pretty15.”
