The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
Wes Alwan is joined by Monica McCarthy of the Happier Hour podcast to discuss Anton Chekhov’s 1898 play about family dysfunction and potentially wasting your life.
This is a preview of a 54-minute discussion. You can listen to the whole thing by becoming a PEL Citizen or $5 Patreon supporter. Visit partiallyexaminedlife.com/support to learn how.
Moving finally on to Jean-Paul Sartre’s “Black Orpheus” (1948), where he introduces a book of black poetry by praising its revolutionary spirit as embodied in “negritude.” Is this a legitimate consciousness-raising exercise or a weird fetishization of blackness?
Listen to parts one and two first, or get the ad-free, unbroken Citizen Edition, which will also get you access to (sub)Text#5 on Checkhov’s Uncle Vanya. Please support PEL!
End song: “Punch Bag” by Godley & Creme as discussed on Nakedly Examined Music #3.
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Wes Alwan is joined by actress, podcaster, and educator Monica McCarthy to discuss Anton Chekhov’s 1898 play about family dysfunction and potentially wasting your life.
Ian has released 10 studio albums and 3 EPs since 1993, starting as an Austin guitar hero and evolving into an eclectic, subtle Seattle songwriter who teaches songwriting courses.
We discuss “1000 Blackbirds” from Toronto (2018), the title track from Strange Days (2017), and “Abilene” from Luminaria (2004). End song: “Sad Affair” from El Sonido Nuevo (2011). Intro: “Satisfied” from Ian Moore (1993). For more, see ianmoore.com.
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Continuing on Jean-Paul Sartre’s Anti-Semite and Jew: An Exploration of the Etiology of Hate (1946).
Is there an “authentic” way to respond to persecution? As part of his critique of anti-semitism, Sartre criticized the responses of some Jews to this situation, e.g. denying that the persecution exists, pretending to not be Jewish, or in any way accepting the terms of anti-semitism and setting up one’s life in reaction to it. Sartre instead recommends solidarity and “concrete liberalism,” which we try to figure out.
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On Jean-Paul Sartre’s Anti-Semite and Jew: An Exploration of the Etiology of Hate (1946) and “Black Orpheus” (1948).
How can we best understand the psychology of racism? Sartre condemns anti-Semitism as denying the facts of the human condition: the responsibility for fixing problems and not blaming them on a demonized other. But he also criticizes “the democrat” for a humanism that pretends we’re in a post-racial world, calling instead for “concrete liberalism” that treats Jews not as abstract individuals but as real people in an an oppressed situation.
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On Jean-Paul Sartre’s Anti-Semite and Jew: An Exploration of the Etiology of Hate (1946) and “Black Orpheus” (1948).
How can we best understand the psychology of racism and reactions to it? Sartre not only condemns anti-Semitism as denying the facts of the human condition (the responsibility for fixing problems and not blaming them on a demonized other), he also thinks that the victims of oppression can be inauthentic by denying their situation or otherwise being reactive to the racist’s attitude. “Black Orpheus” further explores this idea in characterizing the “negritude” of black poetry and how uncovering one’s negritude leads to solidarity and hence political and psychological change.
End song: “Punch Bag” by Godley & Creme as discussed on Nakedly Examined Music #3.
Peter started in hardcore punk and used the blues to add depth for his band the Chrome Cranks, which released four studio albums and a live album in the mid-1990s, then another in 2012. Since then he’s been a music journalist and author, writing about the Ramones, the Band, and others, with occasional musical projects. We discuss his new single “Bomb Train Blues” (2018) with the band Young Skulls, Chrome Cranks tracks “Dark Room” from Chrome Cranks (1994), and “Rubber Rat” from Ain’t No Lies in Blood (2012). We conclude by listening to “Purge 4” from Purges by Peter Aaron and Brian Chase (2016). Intro/outro: “Hot Blonde Cocktail” by the Chrome Cranks from Love in Exile (1997). For more, see peteraaron.org.
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Continuing on Black Skin White Masks (1952), starting with the influential ch. five, “The Fact of Blackness.” Are the successive coping strategies to racism (including “anti-racist racism” and embrace of negritude) that Fanon describes, necessary steps in a dialectic that should be encouraged, or would it be best to learn from his “mistakes” and jump right to the humanistic end-point? With guest Lawrence Ware.
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End song: “Malaika” by John Etheridge and Vimala Rowe; hear John interviewed on Nakedly Examined Music #85.
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On Black Skin White Masks (1952).
How does growing up in a racist society mess people up? Fanon’s “clinical study” includes phenomenology, poetry, and a lot of existentialism, which means that the “let’s embrace negritude in the face of bigotry” solution isn’t ultimately available to him: We’re all radically free, with no race-specific essence, whether positive or negative. With guest Lawrence Ware.
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On Black Skin White Masks (1952).
How does growing up in a racist society mess people up? Fanon’s “clinical study” includes phenomenology, poetry, and a lot of existentialism, which means that the “let’s embrace negritude in the face of bigotry” solution isn’t ultimately available to him: We’re all radically free, with no race-specific essence, whether positive or negative. With guest Lawrence Ware.
End song: “Malaika” by John Etheridge and Vimala Rowe; hear John interviewed on Nakedly Examined Music #85.
Morgan DeLisle, writer for the PodChaser “Behind the Streams Blog,” interviewed Mark for a feature of our podcasts. Learn about the origins of PEL and NEM, how we make the shows, and what’s coming up.
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Steve started producing tracks for dance clubs in 2007, changing his style in 2013 to slow down, carve out space for spontaneous performance, and develop “audio alchemy” over a few EPs and two recent albums.
We discuss “Equinosis” from the Mercurial EP (2018), “Superluminal Sound” from his Soul Science album (2016), and the title track from his Wanderlust EP (2013). We conclude by listening to “Origins” by Hedflux and Alex Delfont from Kin (2018). Opening/closing: “Music Is My Weapon” (2007). For more, see hedflux.com.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Check out Mark’s new album.
Continuing on Identity: The Demand for Dignity and the Politics of Resentment (2018).
Fukuyama recommends a “creedal national identity” as a solution for tribalism; does this work? Is this “demand for recognition” that he describes foundational for the act of making an ethical claim? For self-consciousness itself? How does ideology prejudice the sort of theorizing that Fukuyama engages in?
Listen to part one first, or get the unbroken, ad-free Citizen Edition. Please support PEL!
End song: “Cornerstone” by Richard X. Heyman, as discussed on Nakedly Examined Music #61.
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Talking with the author about Identity: The Demand for Dignity and the Politics of Resentment (2018).
What motivates people? Frank points to thymos, the demand for recognition, as at the root of both the “end of history” (i.e., democracy as demand for equal recognition) and our current tribalist stalemates, involving desires to be seen—in virtue of group membership—as superior. Thymos may in fact be central to self-consciousness, ethics, and the origins of political association.
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An interview and discussion on Identity: The Demand for Dignity and the Politics of Resentment (2018).
What motivates people? Frank points to thymos, the demand for recognition, as at the root of both the “end of history” (i.e., democracy as demand for equal recognition) and our current tribalist stalemates, involving desires to be seen—in virtue of group membership—as superior. Thymos may in fact be central to self-consciousness, ethics, and the origins of political association.
End song: “Cornerstone” by Richard X. Heyman, as discussed on Nakedly Examined Music #61.
Portland-based singer-songwriter Rachel has released 10 albums of off-kilter, usually piano-based, lyric-heavy indie rock since the mid ’00s.
We discuss “Maker” and “God” (plus the intro “Gyre”) from Run Tiny Human (2018), “Taxidermy” from World so Sweet (2011), and “Ormolu” from Ormolu (2006), and also listen to “We’ll Have A” from Falimy (2014). For more, see racheltaylorbrown.com.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Check out Mark’s new album.
More on the ethics-related fragments of Epicurus and accounts by Martha Nussbaum and Tim O’Keefe.
What would a purely therapeutic philosophy consist of? Does philosophy as pursuit of pleasure mean that you eschew political action or other substantial goals? Mark, Wes, and Dylan try to figure out which of our desires are vain and whether society is compatible with human happiness.
Listen to part one first or get the unbroken, ad-free Citizen Edition. Tickets are now available for PEL Live: See partiallyexaminedlife.com/pel-live.
End song: “The Language of the Body” by Ant-Bee as discussed on Nakedly Examined Music #68.
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On the extant fragments of Epicurus (341–270 BCE) dealing with ethics, including his “Letter to Menoceus,” “The Principal Doctrines,” and “The Vatican Collection of Epicurean Sayings.” Plus Tim O’Keefe’s Epicureanism (2010) and Martha Nussabum’s The Therapy of Desire (1994).
How are we supposed to act once we understand nature as atoms bouncing and swerving around in the void, temporarily producing order through fortuitous collisions? Ruling out demanding gods means ethics is dictated by human nature: we avoid pain and pursue pleasure. However, we’re very bad at this, and Epicurus wants to fix all of us!
Don’t wait for part two; get the full, ad-free Citizen Edition now.
Come see us live in NYC on Apr. 6. Read more at partiallyexaminedlife.com/pel-live.
Don’t forget your 2019 Wall Calendar with free domestic shipping: partiallyexaminedlife.com/calendar.
Sponsors: Visit thegreatcoursesplus.com/PEL and EXPRESSVPN.com/PEL.
On the extant fragments of Epicurus (341–270 BCE) dealing with ethics, including his “Letter to Menoceus,” “The Principal Doctrines,” and “The Vatican Collection of Epicurean Sayings.” Plus Tim O’Keefe’s Epicureanism (2010) and Martha Nussabum’s The Therapy of Desire (1994).
How are we supposed to act once we understand nature as atoms bouncing and swerving around in the void, temporarily producing order through fortuitous collisions? Ruling out demanding gods means ethics is dictated by human nature: we avoid pain and pursue pleasure. However, we’re very bad at this, and Epicurus wants to fix all of us!
End song: “The Language of the Body” by Ant-Bee as discussed on Nakedly Examined Music #68.
Come see us live in NYC on Apr. 6. Read more at partiallyexaminedlife.com/pel-live.
Don’t forget your 2019 Wall Calendar with free domestic shipping: partiallyexaminedlife.com/calendar.
