Why has this film done so well? It offers no spectacle, and good doesn’t triumph. It is psychologically true and expertly performed. The audience can enjoy tragedy and identify deeply with a social outcast and villain. The film successfully exploits the relationship between humor and violence, and comedy and tragedy.
At last, the full, public release of this discussion between Wes Alwan and Bill Youmans covering Shakespeare’s 1611 play about revenge, forgiveness, and authorship. Or maybe it’s about exploitation, or how we react to changes in status, or perhaps how a liberal education can give you magical powers! Listen and decide for yourself!
Wes Alwan is joined by Monica McCarthy of the Happier Hour podcast to discuss Anton Chekhov’s 1898 play about family dysfunction and potentially wasting your life.
Wes discusses the film with philosophy professor David Kyle Johnson. What is there to fear in artificial intelligence? How does this shed light on what it means to be fully human?
Wes discusses the Steven Spielberg film with philosophy professor David Kyle Johnson. What is there to fear in artificial intelligence? How does this shed light on what it means to be fully human?
Wes Alwan and Bill Youmans discuss the 1611 play about revenge, forgiveness, and authorship. Or maybe it’s about exploitation, or how we react to changes in status, or perhaps how a liberal education can give you magical powers!
The monster represents the return of a devitalized creator, where the loss of vitality represents a failure of creativity—driven by an inability to tolerate the imperfection of the creative process. The solution involves reconciling the fact of being a creature with that of being a creator.
Perfect childhoods are deadly traps, but neglecting one’s family—in favor of one’s creative ambitions—is no escape.
Creative commitment and perfectionism do not mix: There is nothing like a perfect childhood to produce the perfect monster.
In their “workshop of filthy creation”—in which their endeavors are monstrously incomplete—how do artists remain committed?
In a competition with already-famous poets, one of whom was her future husband, an 18-year-old Mary Shelley was asked to create a ghost story. Instead, she created a story of the perils of creative ambition, and the possibility that it might lead to a ghosting of the self.
What’s “mother!” all about? Here are a few attempts to answer that question in a single sentence.
“Your father was a computer engineer; your mother was a concert pianist, and when the spaceship lands, they make music together on the computer.”
King Laius died at the Cleft Way, where he got in the way of an emigrant to Thebes who happened also to be his son. The prophecy was that Oedipus would be the death of Laius, and it was in the name of avoiding this fate that father and son worked together to seal it. Yet what truly made Oedipus Continue Reading …
A listener takes on our politics and Rorty episodes.
A letter from a listener.
Grab your hats: PEL will be doing a live recording at Brown University on October 27, 2016.