At last, the full, public release of this discussion between Wes Alwan and Bill Youmans covering Shakespeare’s 1611 play about revenge, forgiveness, and authorship. Or maybe it’s about exploitation, or how we react to changes in status, or perhaps how a liberal education can give you magical powers! Listen and decide for yourself!
PREVIEW-(sub)Text#6: Melanie Klein’s “Notes on Some Schizoid Mechanisms”
Wes Alwan is joined by Dr. Glenn Mobray to discuss this classic 1946 psychoanalytic text.
This is a preview of a 63-minute discussion. You can listen to the whole thing by becoming a PEL Citizen or $5 Patreon supporter. Visit partiallyexaminedlife.com/support to learn how.
Listen to more (sub)Text.
PREVIEW-(sub)Text#5: Chekhov’s “Uncle Vanya”
Wes Alwan is joined by Monica McCarthy of the Happier Hour podcast to discuss Anton Chekhov’s 1898 play about family dysfunction and potentially wasting your life.
This is a preview of a 54-minute discussion. You can listen to the whole thing by becoming a PEL Citizen or $5 Patreon supporter. Visit partiallyexaminedlife.com/support to learn how.
Bonus: (sub)Text #4: Freud’s “Mourning and Melancholia” (Part One)
Wes Alwan is joined by Tracy Morgan and Louis Scuderi to discuss Freud’s classic 1917 essay.
Note: Part two will NOT be appearing on this feed. Become a PEL Citizen to get the full discussion. Visit partiallyexaminedlife.com/support to learn how.
Bonus: (sub)Text #3: Spielberg’s “AI: Artificial Intelligence”: What Is It to Be Human? (Part One)
Wes discusses the film with philosophy professor David Kyle Johnson. What is there to fear in artificial intelligence? How does this shed light on what it means to be fully human?
Note: Part two will NOT be appearing on this feed. Become a PEL Citizen to get the full discussion. Visit partiallyexaminedlife.com/support to learn how.
(sub)Text #3: Spielberg’s “AI: Artificial Intelligence”: What Is It to Be Human? (Citizens Only)
Wes discusses the Steven Spielberg film with philosophy professor David Kyle Johnson. What is there to fear in artificial intelligence? How does this shed light on what it means to be fully human?
Bonus: (sub)Text #2: Vonnegut’s “Slaughterhouse Five”: Is There Such a Thing as a War Story? (Part One)
Episode 2 of Wes’s new podcasting endeavor, featuring Mary from the Phi Fic podcast, who’s also the managing editor of the PEL blog.
Note: Part two will NOT be appearing on this feed. Become a PEL Citizen to get the full discussion. Visit partiallyexaminedlife.com/support to learn how.
Bonus: (sub)Text #1: Shakespeare’s “The Tempest”: Poesis as Revenge Forsaken (Part One)
Wes Alwan and Bill Youmans discuss the 1611 play about revenge, forgiveness, and authorship. Or maybe it’s about exploitation, or how we react to changes in status, or perhaps how a liberal education can give you magical powers!
Note: Part two will NOT be appearing on this feed. Become a PEL Citizen to get the full discussion. Visit partiallyexaminedlife.com/support to learn how.
On Being a Monster: “Frankenstein” and Creative Ambition, Part V—Artist
The monster represents the return of a devitalized creator, where the loss of vitality represents a failure of creativity—driven by an inability to tolerate the imperfection of the creative process. The solution involves reconciling the fact of being a creature with that of being a creator.
On Being a Monster: “Frankenstein” and Creative Ambition, Part IV—Monster
Perfect childhoods are deadly traps, but neglecting one’s family—in favor of one’s creative ambitions—is no escape.
On Being a Monster: “Frankenstein” and Creative Ambition, Part III—Frankenstein
Creative commitment and perfectionism do not mix: There is nothing like a perfect childhood to produce the perfect monster.
On Being a Monster: “Frankenstein” and Creative Ambition, Part II—Creator
In their “workshop of filthy creation”—in which their endeavors are monstrously incomplete—how do artists remain committed?
On Being a Monster: “Frankenstein” and Creative Ambition, Part I—Creature
In a competition with already-famous poets, one of whom was her future husband, an 18-year-old Mary Shelley was asked to create a ghost story. Instead, she created a story of the perils of creative ambition, and the possibility that it might lead to a ghosting of the self.
Top 13 One-Line Anti-Theodicies to Explain ‘mother!’ (h/t John Milton)
What’s “mother!” all about? Here are a few attempts to answer that question in a single sentence.
On Integrative Encounters of the Cinematic Variety: Reflections on ‘Close Encounters of the Third Kind’ on Its 40th Anniversary
“Your father was a computer engineer; your mother was a concert pianist, and when the spaceship lands, they make music together on the computer.”
Whose Country Is It? Whomever It Inhabits
King Laius died at the Cleft Way, where he got in the way of an emigrant to Thebes who happened also to be his son. The prophecy was that Oedipus would be the death of Laius, and it was in the name of avoiding this fate that father and son worked together to seal it. Yet what truly made Oedipus Continue Reading …
Letter to the Editor: Identity Politics and Effective Action
A listener takes on our politics and Rorty episodes.
Letter to the Editor: ‘I Don’t Think God Was Dead, Maybe He Was Just Hiding’
A letter from a listener.
PEL Live Show/Election Special at Brown University on October 27: de Tocqueville and the Problem with Democracy
Grab your hats: PEL will be doing a live recording at Brown University on October 27, 2016.
STOICON 2016 – October 15 in Manhattan
Wes Alwan will be at STOICON 2016, an annual meeting of people interested in exploring Stoicism as a philosophy of life. You should come too.
- 1
- 2
- 3
- …
- 7
- Next Page »