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Pretty Much Pop #19: Race and the Target Audience w/ Rodney Ramsey

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Are YOU the target audience of what you watch? While shows used to be aimed at a white majority or “niche group,” now much media aims itself seemingly at everyone.

Rodney Comedian/actor/writer/producer Rodney joins Mark, Erica, and Brian to discuss the experience of watching outside your demographic, whether identifying with characters requires physical commonalities, “black voice,” and the evolving TV landscape.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Ep. 229: Descartes’s Rules for Thinking (Part Two)

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Continuing on René Descartes’s Rules for Direction of the Mind (1628), covering rules 7 through the first part of the lengthy rule 12.

We try to figure out what he means by “enumeration”; the faculties of imagination, sense and memory; the virtues of perspicacity and sagacity; his psychology of the senses, the “common sense” where all sense data comes together, and the understanding; how Descartes recommends we do scientific investigation; why syllogisms stink; and whether some people are just better at philosophy than others.

Start with part 1. You don’t need to wait for part 3; get the full Citizen Edition now. Please support PEL!

Sponsor: Get 3 months of unlimited learning for $30 at thegreatcoursesplus.com/PEL.

NEM#109: Producer Guy Sigsworth (Seal, Björk, etc.) Goes Solo

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Guy has been a highly sought-after British producer/keyboardist since the early ’90s and is just now releasing his debut album, STET. We discuss “Mono No Aware” and “Dorian” from that album and “Unravel” from Björk’s Homogenic (1997). End song: “Let’s Go” by Frou Frou from Details (2002). Intro: “Crazy,” co-written with Seal from his debut album (1991).

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Pretty Much Pop #18: Stephen King’s Media Empire

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Is the most popular writer of our time actually a good writer? Or maybe he used to be good? While you’ve been thinking about those questions, King already wrote another book, so ha!

Mark, Erica, and Brian share their experiences with and opinions about King’s oeuvre and the films and shows that have come out of it.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Pretty Much Pop #17: Comedy as Philosophy w/ Daniel Lobell

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Are stand-up comedians the Modern Day Philosophers? This is the premise of Daniel’s podcast, but really, only some comedians express original claims; many just tell jokes. Are those exceptional comics philosophizing? Does telling the whole, tragic truth rule out being funny? Daniel, Mark, Erica, and Brian consider Carlin, Gadsby, Chappelle, and others.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Sponsor: Visit Keeps.com/EXAMINED for a free month of hair loss treatment.

Ep. 229: Descartes’s Rules for Thinking (Part One)

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On René Descartes’s Rules for Direction of the Mind (1628).

Is there a careful way to approach problems that will ensure that you’ll always be right? What if you just never assert anything you can’t be sure of? This is Descartes’s strategy, modeled on mathematics. We likewise carefully move step-by-step through this text.

This is part 1 of 3; get the whole discussion now via the Citizen Edition now. Please support PEL!

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Ep. 228: Social Construction of Race (Appiah, Mills) (Part Two)

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Continuing on Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010) with guest Coleman Hughes.

Racial classifications vary geographically, therefore race is socially constructed. Given this, can we retain the positive aspects of group identification without hierarchies and what Appiah calls “imperialism of identity”?

Start with part one or get the full, ad-free Citizen Edition. Please support PEL!

End song: “Tired Skin” by Alejandro Escovedo, as interviewed on Nakedly Examined Music #60.

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NEM#108: Mike Watt’s Punk Operas

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Ace bassist Mike started with punk legends MINUTEMEN in the early ’80s, broke into the majors with fireHOSE going into the ’90s, and was so beloved by the alternative music scene that his first solo album in ’94 was star-studded, with Eddie Vedder and Dave Grohl in the supporting tour. Mike has released three concept albums over the years and has collaborated on dozes of projects as well as backing Iggy Pop in the reformed Stooges.

We discuss “Bob Dylan Wrote Propaganda Songs” by Minutemen from What Makes a Man Start Fires (1983), “The Boilerman” from Contemplating the Engine Room (1997), the first, second, and last sections from Hyphenated-Man (2011), and “I Got Marty Feldman Eyes” from the Big Walnuts Yonder self-titled album (2017). We conclude by listening to “Yeah, We’re Gonna Learn to Fall” by Jumpstarted Plowhards from Round One (2019) featuring Todd Congelliere. Intro: “Walking the Cow” by fireHOSE from Flyin’ the Flannel (1991). For more, visit mikewatt.com.

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Pretty Much Pop #16: 25 Years After FRIENDS

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Mark, Erica, and Brian examine the conventions, techniques, and staying power of the beloved ’90s sitcom. Are we supposed to identify with, or idolize, or merely like these people? What makes the formula work, did it sustain itself over its 10-year run, was it successfully replicated, and what parts haven’t aged well?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Sponsor: Visit mackweldon.com and enter the promo code POP for 20% off.

Ep. 228: Social Construction of Race (Appiah, Mills) (Part One)

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On Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010). With guest Coleman Hughes.

Don’t wait for part two; get your full, ad-free Citizen Edition now. Please support PEL!

Sponsors: NativeDeodorant.com (code PEL for 20% off), $15/month wireless at mintmobile.com/PEL, HempFusion.com (code PEL for 20% off/free shipping).

Pretty Much Pop #15: Opera As Pop

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Opera used to be a central part of European pop culture, Pavarotti was as big a pop star as they come. But still, it’s now the quintessential art-form of the wealthy and snobbish. What gives?

Guest Sean Spyres from Springfield Regional Opera joins his sister Erica along with Mark and Brian to discuss opera’s place in culture (including its film appearances), how it’s different from music theater, the challenges it faces and how it might become more relevant.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Ep. 227: What Is Social Construction? (Hacking, Berger) (Part Two)

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Continuing Ian Hacking’s The Social Construction of What (1999) and Peter Berger’s “Religion and World Construction” (1967).

We break down Hacking’s typology of construction arguments: Are they exploring where our ideas came from or trying to change things? Are they trying to state facts about nature vs. nurture or essentially political solicitations for us to reconceptualize in healthier ways? Plus, more about the supposed divide between science wars and the culture wars and Berger’s picture of the nomos (custom) defining what it is for us to live a meaningful life.

Start with part one, or get the full, ad free Citizen Edition. Please support PEL!

End song: “The ConstruKction of Light, Part 1” by King Crimson; listen to Mark with Trey Gunn on Nakedly Examined Music #21.

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NEM#107: Barry Andrews (Shriekback): Objectifications of Groove

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Barry started in ’77 playing keys with XTC and after two albums started his own band Shriekback in ’81, with whom he’s had 14 releases plus some solo albums. He’s known for inventive soundscapes placed over solid grooves and philosophical lyrics delivered in a low chant.

We discuss three Shriekback tunes: “Such, Such Are the Joys” from Why Anything? Why This? (2018), “Amaryllis in the Sprawl” from Glory Bumps (2007), and “Stimulate the Beaded Hamster”/”Pond Life” from Naked Apes and Pond Life (2000). We conclude by listening to a solo tune, “Virgin of the Ladder” by Barry Andrews from Contaminated Pop (2019). Intro: “Nemesis” from Oil & Gold (1985). For more, see shriekback.com.

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Pretty Much Pop #14: UFOs on TV with Investigative Journalist Paul Beban

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TV news reporter Paul Beban (ABC, Al Jazeera, Yahoo, and now featured on the Discovery Network’s Contact) joins Mark, Erica, and Brian to discuss the appeal of UFO narratives. Do you have to believe to be entertained? What’s the connection to humor, religion, and anti-government venom?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Ep. 227: What Is Social Construction? (Hacking, Berger) (Part One)

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On Ian Hacking’s The Social Construction of What (1999) and Peter Berger’s “Religion and World Construction” (1967).

Guest Coleman Hughes from Dilemma joins us to survey the types of social construction arguments: the “culture wars” (e.g., race, gender) and the “science wars” (scientific findings are not read off the world but emerge from history). Something can be constructed, yet still be an objective truth we have to deal with.

Don’t wait for part two; get the full, ad free Citizen Edition now. Please support PEL!

Sponsor: HempFusion.com, code PEL for 20% off/free shipping.

NEM#106: John Colpitts (aka Kid Millions/Man Forever): Heavy Meditations

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John founded the Brooklyn space-rock cooperative Oneida in the mid 90s and has put out 13 albums with them plus four as his solo project Man Forever and several others as collaborations or as Kid Millions.

We discuss two tracks by Man Forever from Play What They Want (2017): “You Were Never Here” and “Twin Torches” (feat. Laurie Anderson), then Oneida’s “All in Due Time” from Romance (2018), and listen  to “Nine Years of Facing a Wall” by Fox Millions Duo from Biting Through (2019). Intro: “Sheets of Easter” by Oneida from Each One Teach One (2002). For more, see johnwilliamcolpitts.com.

Sponsor: Visit Keeps.com/EXAMINED for a free month of hair loss treatment.

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Pretty Much Pop #13: TV Revivals Revived!

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Revivals (not to be confused with reboots) can bring us back to the comfort of old friends, who are now really old. But is reviving a show really ever a good idea? Mark, Erica, and Brian consider some successes, failures, and hypotheticals.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Ep. 226: Francis Bacon Invents Science (Part Two)

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Continuing on Sir Francis Bacon’s New Organon (1620).

We cover more of Bacon’s “idols” and how Bacon divides religion from science (and what this means politically). We then move on to book 2, including Bacon’s novel update of the term “form,” and take a look at Bacon’s method of doing science by filling out tables before actually doing experiments.

Start with part one or get the full, unbroken Citizen Edition. Please support PEL, like, get Patreon’s feed for a mere $1/month.

End song: “Stuck in a Cave” by Chrome Cranks; hear Mark talk to singer/songwriter Peter Aaron on Nakedly Examined Music #93.

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About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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