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NEM#142: Rebecca Rego: This Is Your Life!

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Folky, soul-singing Rebecca has had six releases since 2007. We discuss “Mama” from her solo EP, Songs for Cleaning Women, Pt. 1 (2020), “No One Knows Me” by Rebecca Rego and the Trainmen from Speaking of Witches (2019), “Gave Me” by rego off of From the Royal Arcade (2009), and “Cruel” from Lay These Weapons Down (2016). Intro: “Call My Mother” from Tolono (2014). See rebeccaregoandthetrainmen.com.

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Pretty Much Pop #81: Radio vs. Podcasting w/ Jason Bentley

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Jason was music director at KRCW, the LA NPR station, is also a DJ with a lot of experienced interviewing musicians, and now hosts a new podcast, The Backstory. He joins Mark and Erica to discuss the creative and business possibilities of podcasting in comparison to radio, what their futures may hold, and his own journey between the two media.

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Ep. 263: Lise Van Boxel’s “Warspeak” on Strategies for Valuing (Part One)

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On Warspeak: Nietzsche’s Victory Over Nihilism (2020) with Dylan, Seth, and guests Michael Grenke and Jeff Black.

What’s a viable counter-ideal to the asceticism that Nietzsche thought is so pervasive? Lise’s book works out strategies for re-valuing that emphasize Nietzsche’s positive comments about the feminine and the power of words.

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NEM#141: Robert Forster (The Go-Betweens) Looks Back Novelistically

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Robert co-fronted the Australian-born post-punk band The Go-Betweens through nine albums in the ’80s and ’00s with Grant McLennan before the latter’s death in 2006 and has also released seven solo albums.

We discuss “No Fame” from Inferno (2019), “Here Comes a City” by The Go-Betweens from Oceans Apart (2005), and “On My Block” by The Go-Betweens from Before Hollywood (1983). We conclude by listening to “Let Me Imagine You” from Songs to Play (2015). Intro: “Clouds” by The Go-Betweens from 16 Lovers Lane (1988).

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Pretty Much Pop #80: Reliving Groundhog Day (and Palm Springs, Russian Doll, etc.)

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Happy Groundhog Day! The ’93 film has had dozens of imitators spanning various genres in recent years, but the idea goes back more than a century. Mark, Erica, Brian, and guest Ken Gerber touch on popular and obscure examples examples from film and TV to explore the philosophical themes and storytelling techniques. 

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Pretty Much Pop #79: The Fargo Formula w/ Tamler Sommers (Very Bad Wizards Crossover)

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On the darkly comic ’96 film and the 4-season crime show. Mark, Erica, Brian, and Tamler from VBW consider its style, “tundra western” setting, “Minnesota nice”, gender issues, stunt casting, absurdism, and more. Yes, there are spoilers, but it barely matters.

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Ep. 262: Nietzsche on Self-Denial (Part One)

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On Friedrich Nietzsche’s The Genealogy of Morals (1887), “Third essay: what do ascetic ideals mean?”

Self-denial is necessary for disciplined action but can clearly go too far. N uses this concept of asceticism to analyze both geniuses and the masses. It’s a chief tool of the will to power, dangerous to human flourishing but also helping us to evolve. Does N’s picture of motivation and greatness make sense?

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NEM#140: Larry Keel: Hillbilly Shredder to Singer-Songwriter

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Larry has appeared on 20+ albums since co-founding Magraw Gap in 1990 and then becoming bandleader on ’97. He’s known for his lightning flat picking and has more recently added a good dose of social commentary and fundamental questioning to his songwriting.

We discuss “Mars’ Cry” (and listen to “Try”) from American Dream (2020), “Crocodile Man” from One (2019), and “Diamond Break” from Backwoods (2009). Intro: The title track to The Sound (1999). For more, see larrykeel.com.

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Phi Fic #38 Howard’s End by EM Forster

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In this episode we discuss EM Forster’s novel Howard’s End as well as take a look at the 1992 movie of the novel starring Anthony Hopkins and Emma Thompson.

“Death destroys a man, but the idea of death saves him—”

–Howard’s End

The story revolves around three families: the Schlegels–– half-German siblings Margaret, Helen, and Tibby whose cultural pursuits have much in common with the Bloomsbury Group (in which Forster was a member); the Wilcoxes—headed by Henry––a group of unsympathetic rich capitalists with a fortune made in the colonies; and the Basts, a sad and struggling young couple from a lower-class background. Each reflects a different and almost conflicting part of society–a tale of striking class warfare.
If you have thoughts, recommendations, or questions that you want to send our way, please do via phificpodcast@gmail.com.

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Thanks to Christopher Nolen for our music.
Thanks to Allan Bowley for Audio and editing help.

Pretty Much Pop #77: The Big Screen Experience

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What’s the post-COVID future of movie theaters? Mark, Erica, and Brian compare past moviegoing habits and reflect on the big-screen vs. small-screen decision. How would we optimize the theatrical experience? We consider films affected like Tenet, Soul, etc.

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Ep. 261: Derek Parfit on Personal Identity (Part One)

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On Reasons and Persons (1984), ch. 10-13. What makes a person persist over time?

After using various sci-fi examples to test the Lockean (personhood=psychological continuity), physicalist (same brain=same person), and Cartesian (same soul=same person) theories, Parfit concludes that the whole notion is incoherent and isn’t actually what we care about when wondering “will I die?”

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NEM#139: Don Rauf’s Life In A Blender

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Don started the NY-based Life in a Blender in the late 80s and has put out ten albums of tunes with off-kilter lyrics and increasingly elaborate arrangements. We discuss “The Ocean is a Black and Rolling Tongue” (and listen at the end to “Soul Deliverer”) from Satsuma (2020), “Falmouth” from We Already Have Birds That Sing (2014), and “Chicken Dance” from Two Legs Bad (1997). Intro: “Mounds of Flesh” from Welcome to the Jelly Days (1988). For more see lifeinablender.net.

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About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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