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Episode 197: Parmenides on What There Is (Part Two)

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Continuing with guest Peter Adamson with “On Nature” (475 BCE).

We finally get to fragment 8, which describes why Being must be singular and eternal, given that the notion of Non-Being is nonsense. But how could we as individuals be asking these questions then? Does his “Way of Seeming” work to explain the appearances, as opposed to reality?

Listen to part one first, or get the unbroken, ad-free Citizen Edition. Please support PEL!

End song: “Circle” by Gareth Mitchell, as discussed on Nakedly Examined Music #4.

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New Books in Philosophy: Richard Deming’s “Art of the Ordinary”

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Because the ordinary is always at hand, it is, in fact, too familiar for us to perceive it and become fully aware of it. The ordinary is what most needs to be discovered and yet is something that can never be approached, since to do so is to immediately change it. Art of the Ordinary explores how philosophical questions can be revealed in surprising places—as in a stand-up comic’s routine, for instance, or a Brillo box, or a Hollywood movie.

Episode 197: Parmenides on What There Is (Part One)

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On the fragments referred to as “On Nature” from ca. 475 BCE, featuring guest Peter Adamson from the History of Philosophy without Any Gaps podcast.

Parmenides gives “the Way of Truth,” which is that there is only Being, and talking of Non-Being is nonsense. So everything you experience is wrong!

Don’t wait for part two! Get the unbroken, ad-free Citizen Edition. Please support PEL!

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NEM#80: Rod Picott: Literary Workin’ Man

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Nashville singer/songwriter/fiction-writer Rod laid sheet rock for years before releasing his first album in 2001; he has now released ten albums of vivid Americana.

We focus on his new double album Out Past the Wires, discussing “Take Home Pay” and “Date of Grace” (with intro/outro from “Be My Bonnie”), then look back to “Rust Belt Fields” from Welding Burns (2011) and finally listen to “You’re Not Missing Anything” from Hang Your Hopes on a Crooked Nail (2014). More at rodpicott.com.

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Episode 196: Guest Simon Blackburn on Truth (Part Two)

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Continuing with Simon on his book On Truth (2018).

We move to part two of the book, where we get down to the procedures used to obtain truth in art, ethics, and science. Yes, truth is objective, but it’s not best described as correspondence, and in fact this elaboration of how truth is actually obtained is more enlightening than any abstract definition meant to cover all the different types of truth-seeking.

Listen to part one first, or get the unbroken, ad-free Citizen Edition, and also Wes’s bonus conversation on Kurt Vonnegut’s Slaughterhouse Five. Please support PEL!

End song: “with you/for you” from the new cold/mess EP by Prateek Kuhad, interviewed on Nakedly Examined Music #79.

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Episode 196: Guest Simon Blackburn on Truth (Part One)

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The Cambridge/etc. prof joins Mark, Wes, and Dylan to discuss his book On Truth (2018).

What is truth? Simon’s view synthesizes deflationism and pragmatism to avoid relativism by fixing on the domain-specific procedures we actually engage in to establish the truth of a claim, whether in ethics, science, art, or whatever. A gift of clarity after two episodes threshing through the jungles of analytic philosophy!

Continued on part 2, or get the full, unbroken Citizen Edition, as well as Wes’s discussion on Kurt Vonnegut’s Slaughterhouse Five.

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NEM#79: Prateek Kuhad’s Bilingual Love Songs

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Prateek was named artist of the year for 2016 by MTV India, and has been releasing tasteful, lyrics-focused songs about relationships in English and Hindi since 2011.

We focus on his 2015 album Tokens and Charms: “Go,” “Oh Love,” and “Flames,” plus the 2017 single “Tum Jab Pas,” and the title track from his brand new EP cold/mess. Intro/outro: “Raat Raazi” (2013). For more, visit prateekkuhad.com.

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Episode 195: Truth-The Austin/Strawson Debate (Part Two)

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Continuing on “Truth” by J.L. Austin and “Truth” by P.F. Strawson, both from 1950. We proceed to the Strawson article, which critiques the notion of a “fact” as explaining why a sentence might be true. A “fact” is not a thing in the world! So what do we add when we change “The cat is on the mat” to “‘The cat is on the mat’ is true”?

Listen to Part One first, or get the unbroken, ad-free Citizen Edition. Please support PEL!

End song: “Troof” by Shawn Phillips, as interviewed for Nakedly Examined Music #77.

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Episode 195: Truth-The Austin/Strawson Debate (Part One)

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On two articles in the “ordinary language” tradition of philosophy called “Truth” from 1950 by J.L. Austin and P.F. Strawson.

Is truth a property of particular speech acts, or of the propositions expressed through speech acts? Does truth mean correspondence with the facts, or does the word “fact” make this definition totally uninformative? Does saying “is true” add any information content to a sentence over and above just stating that sentence?

Don’t wait a week to hear about Strawson! Get the full, unbroken, ad-free Citizen Edition of this discussion. Please support PEL!

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Bonus: (sub)Text #1: Shakespeare’s “The Tempest”: Poesis as Revenge Forsaken (Part One)

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Wes Alwan and Bill Youmans discuss the 1611 play about revenge, forgiveness, and authorship. Or maybe it’s about exploitation, or how we react to changes in status, or perhaps how a liberal education can give you magical powers!

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Science, Religion, and Secularism, Part XXXI: William James—The Will to Believe

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“To preach skepticism to us as a duty until ‘sufficient evidence’ for religion be found, is tantamount therefore to telling us, when in presence of the religious hypothesis, that to yield to our fear of its being error is wiser and better than to yield to our hope that it may be true. It is not intellect against all passions, then; it is only intellect with one passion laying down its law.” —William James

About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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