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Episode 216 Follow-Up: Reflections on the End of Game of Thrones (Citizens Only)

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Mark and Wes continue discussion of the TV show after its finale. Listen to our ep. 216 first.

Yes, of course this is now full of spoilers. How does the end of the show affect its overall political message? Was it really (as George R.R. Martin depicted) about the irreducible complexity of politics (given that any character named or unnamed can actually make a difference, at least destructively) or qua TV Show is it forced to zero-in on a select set of powerful characters that we are meant to identify with? Also, does it make sense to be performing feminist critiques on a show based on the premise of people murdering each other for power?

We welcome your feedback re. future treatment of pop culture topics (via a spin-off podcast?).

Episode 216: Game of Thrones’ Fantasy Politics (Citizen Edition)

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Discussing the TV show (2011-2019) based on the books by George R.R. Martin.

What’s the role of a mass-consumed fantasy series in today’s society? Is it our “fantasy” to have all these horrible things happen to us? Is this an edifying prompt to engage in public moral thinking, or a spectacular distraction of the kind that those Marxist theorists keep warning us about? We get into the function of fantasy and how a more “realistic” show plays with that, the extent to which we’re supposed to identify with the characters, depiction of moral complexity, low art vs. high art, identity issues, and more. With guest Sabrina Weiss.

End song: “Fire and Blood” by Sacrifice Feat. Mark Lint; hear the interview on Nakedly Examined Music #24.

Episode 215: Brave New World: PEL Live 10th Anniversary Show (Citizen Edition)

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On Aldous Huxley’s 1932 dystopian novel, recorded at Manhattan’s Caveat on 4/6/19, with audience participation.

If we harness the power of society to employ available technologies to really focus on making people happy, what would the result be? This is Huxley’s thought experiment, but is it in all respects a dystopia, and is it a fair test of the ideal of social improvement or merely of a flawed view of human nature?

You can watch this episode instead.

End song: “Brave New World” by Mark Lint. Read about it.

PEL Citizens get $10 off the commemorative T-shirt.

Episode 214: More Nietzsche’s Zarathustra (Citizen Edition)

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On the remainder of Friedrich Nietzsche’s Thus Spoke Zarathustra (1885).

How can we keep our spirits up and avoid nihilism? We consider Nietzsche’s “solution” of eternal recurrence, why he uses a poetic, allegoric style, and his “new tablets” that tell us what habitual and destructive ideas we have to flush out of our systems before we can be vital and creative. And don’t count on reaching overman status; innovators are generally sacrifices to the future and only get the goal half right.

End song: “Upright Man” by Rachel Taylor Brown, as interviewed on Nakedly Examined Music #91.

Episode 213: Nietzsche’s Zarathustra (Citizen Edition)

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On Friedrich Nietzsche’s Thus Spoke Zarathustra, books 1 and 2 (1883).

What is wisdom? In this text whose style parodies the Bible, we get pithy advice and allegorical imagery to guide us away from self-defeating, life-denying attitudes and orient us toward creative self-overcoming (i.e., exertion of the Will to Power). The Last Man who no longer knows how to give birth to a dancing star is a rotten egg!

End song: “Sacrilicious” by Hedflux, i.e., Steve Young, as interviewed on Nakedly Examined Music #92.

Episode 212: Sartre on Literature (Citizen Edition)

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On Jean-Paul Sartre’s What is Literature? (1948), ch. 1 and 2.

What’s the purpose of literature? Why write prose as opposed to poetry? Sartre argues that while poetry is about the words themselves, prose is about the ideas, so it’s necessarily political. A written work is essentially an ethical appeal for a reader to apply his or her own faculties and experiences to complete the work through the act of reading.

End song: “Things I Shouldn’t Have Told You” by Sam Phillips, as interviewed on Nakedly Examined Music #90.

Episode 211: Sartre on Racism and Authenticity (Citizen Edition)

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On Jean-Paul Sartre’s Anti-Semite and Jew: An Exploration of the Etiology of Hate (1946) and “Black Orpheus” (1948).

How can we best understand the psychology of racism and reactions to it? Sartre not only condemns anti-Semitism as denying the facts of the human condition (the responsibility for fixing problems and not blaming them on a demonized other), he also thinks that the victims of oppression can be inauthentic by denying their situation or otherwise being reactive to the racist’s attitude. “Black Orpheus” further explores this idea in characterizing the “negritude” of black poetry and how uncovering one’s negritude leads to solidarity and hence political and psychological change.

End song: “Punch Bag” by Godley & Creme as discussed on Nakedly Examined Music #3.

Episode 210: Frantz Fanon’s Black Existentialism (Citizen Edition)

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On Black Skin White Masks (1952).

How does growing up in a racist society mess people up? Fanon’s “clinical study” includes phenomenology, poetry, and a lot of existentialism, which means that the “let’s embrace negritude in the face of bigotry” solution isn’t ultimately available to him: We’re all radically free, with no race-specific essence, whether positive or negative. With guest Lawrence Ware.

End song: “Malaika” by John Etheridge and Vimala Rowe; hear John interviewed on Nakedly Examined Music #85.

Episode 209: Guest Francis Fukuyama on Identity Politics (Citizen Edition)

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An interview and discussion on Identity: The Demand for Dignity and the Politics of Resentment (2018).

What motivates people? Frank points to thymos, the demand for recognition, as at the root of both the “end of history” (i.e., democracy as demand for equal recognition) and our current tribalist stalemates, involving desires to be seen—in virtue of group membership—as superior. Thymos may in fact be central to self-consciousness, ethics, and the origins of political association.

End song: “Cornerstone” by Richard X. Heyman, as discussed on Nakedly Examined Music #61.

See PEL Live in NYC on April 6.

Episode 208: Epicurus on Seeking Pleasure (Citizen Edition)

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On the extant fragments of Epicurus (341–270 BCE) dealing with ethics, including his “Letter to Menoceus,” “The Principal Doctrines,” and “The Vatican Collection of Epicurean Sayings.” Plus Tim O’Keefe’s Epicureanism (2010) and Martha Nussabum’s The Therapy of Desire (1994).

How are we supposed to act once we understand nature as atoms bouncing and swerving around in the void, temporarily producing order through fortuitous collisions? Ruling out demanding gods means ethics is dictated by human nature: we avoid pain and pursue pleasure. However, we’re very bad at this, and Epicurus wants to fix all of us!

End song: “The Language of the Body” by Ant-Bee as discussed on Nakedly Examined Music #68.

Come see us live in NYC on Apr. 6. Read more at partiallyexaminedlife.com/pel-live.

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Episode 207: Herder on Art Appreciation (Citizen Edition)

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On Johann Gottfried von Herder’s “The Causes of Sunken Taste among the Different Peoples in Whom It Once Blossomed” (1775), “On the Influence of the Belles Lettres on the Higher Sciences” (1781), “Does Painting or Music Have a Greater Effect? A Divine Colloquy” (1785), and some of Critical Forests: Fourth Grove (written 1769). With guest rock god John “Jughead” Pierson.

What is aesthetic taste, and why do some societies (e.g., ancient Greece) seem rife with genius while others are not? Herder has some definite ideas about aesthetic, sensual education as grounding for abstract thinking, rages against attempts to copy another culture’s art forms, and likes melody over harmony. Plus he coined the term “zeitgeist”!

End song: “Dear Resonance” by John’s band Even In Blackouts. Hear him interviewed about his music on Nakedly Examined Music #58.

Don’t forget your 2019 PEL Wall Calendar, now with free domestic shipping!

Episode 206: Lucretius’s Epicurean Physics (Citizen Edition)

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On Lucretius’s poem about Epicurean science: On the Nature of Things aka De Rerum Natura from the first century BCE.

How does the world work? Lucretius presents a system that is surprisingly modern, and raises philosophical issues that are still on point today: What are the basic building blocks of the universe? How could these give rise to minds? What ethical views does a mechanistic worldview imply?

End song: “Came Round” by Mark Lint. Read about it and get the new album.

Keep an eye out for the follow-up discussion where Mark and Wes go into more details from the text.

Episode 205 Follow-Up: Durkheim and Explanation Types (Citizens Only)

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Following on our discussion with Dr. Drew, Mark and Wes discuss Emile Durkheim’s Suicide (1897), getting into more of the details of his account and in particular exploring comparative modes of explanation: Are there really “sociological facts” distinct from mere generalizations about psychological facts?

This leads us to more discussion of the legitimacy of psychoanalytic explanations (and more details about Julia Kristeva’s Powers of Horror) vs. those of evolutionary psychology. Are either of these scientific in the manner of physics, or are they rather closer to speculative philosophy?

Episode 205: Suicide with Dr. Drew (Durkheim et al) (Citizen Edition)

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We are rejoined by Drew Pinsky to discuss philosophical and psychological readings on suicide by Seneca, Arthur Schopenhauer, Sigmund Freud, Emile Durkheim, Albert Camus, plus some 2017 survey papers on the state of research into predictors of suicide.

Is suicide ever morally permissible? If it’s a symptom of mental illness rather than a chosen behavior, is it even appropriate to morally evaluate it?

End song: “Disappear” by Chris Cacavas as heard on Nakedly Examined Music #87.

Check the PEL Store for our Wall Calendar and new offerings including Mark’s new album, tutoring, and your very own Personal Philosophy.

Visit DrDrew.com.

Episode 204: The Bhagavad Gita’s Hindu Theology (Citizen Edition)

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On the classic Hindu text (ca. the third century BCE), part of the Indian Epic poem Mahabharata, attributed to Vyasa, using Keya Maitra’s 2018 translation/commentary.

What is it to live wisely? What grounds duty? Listen as the supreme God Krishna convinces archer hero Arjuna that it’s OK for him to kill his relatives because, you know, reincarnation and determinism and caste-related duties. With guest Shaan Amin.

End song: “Om Hari Om 1” by Tim Jordan Kirtan feat. Michael Manring. Hear Michael on Nakedly Examined Music #31.

Get the 2019 PEL Wall Calendar!

Episode 203: Kristeva vs. Lovecraft on Horror and Abjection (Citizen Edition)

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More on Julia Kristeva’s Powers of Horror (1980) plus H.P. Lovecraft’s “The Call of Cthulhu” (1928).

Mark, Seth, and Dylan reflect on the nature of horror, how well Lovecraft’s story captures it, and how well Kristeva explains it. Plus, more clarity on the establishment of self and how Kristeva advances over Freud.

End song: “The Other” by Mark Lint feat. Lucy Lawless. Read about it and support the project.

About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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