Emma-Jean is a trumpeter, singer, multi-instrumentalist, and techie who runs her own label. She’s had five releases since 2016. We discuss “Say Something” (and listen at the end to “Spectre” from Yellow (2021), “Open – Remix feat. Blu” (a 2020 single), and “Um” from Um Yang (2020). Intro: “Baro Bop” from Walrus (2016). For more see emmajeanthackray.com.
Nakedly Examined Music is a podcast about making music: Why do we do it? Why do we do it the way we do it? Mark Linsenmayer interviews songwriters and composers famous and otherwise about specific recordings, which are presented in full on the podcast.
Melvin has played bass on over 200 albums since 1980 in the worlds of jazz, rock, and hip-hop, and has numerous songwriting credits, playing with Defunkt, Arto Lindsay, Henry Rollins, Bernie Worrell, Vernon Reid, etc.
We discuss his solo tune featuring Kokayi “Get Some” from 4+1 Equals 5 for May 25 (2021), the title track from The Terror End Of Beauty (2018) by his trio Harriet Tubman, and “Howard Beach Memoirs” by Power Tools (with Bill Frisell and Ronald Shannon Jackson) from Strange Meeting (1987). We end by listening to “Canto por Odudua” by Melvin Gibbs’ Elevated Entity from Ancients Speak (2009) Intro: “Melvin’s Tune” from Defunkt (1980). More at music.melvin-gibbs.com.
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Chris started in the Scottish electronic band Finitribe in the early ’80s and then moved to Chicago in 1988, doing stints in Revolting Cocks, Ministry, Pigface, et al, before embarking on a 23-album solo career.
We discuss “A Phantom Marriage” from The Birthday Poems (2021) feat. Monica Queen, the title track from Bloodhounds (2018), “De Testimony” by Finitribe from Let the Tribe Grow (1986), plus we listen to “God Gets Religion” by Cocksure from Operation C.O.C.K.S.U.R.E. (2020). Intro: “Stowaway” from Whiplash Boychild (1991). For more see chrisconnelly.com and thebirthdaypoems.com.
Steve has written over 1000 songs across 17 Church albums starting in 1980, 13 solo albums and numerous collaborations. His style is theatrical and psychedelic, and his lyrics aim for “maximum ambiguity.”
We discuss “Love Song Yet to Be Named” from The Hall of Counterfeits (2021) and some tunes by The Church: “Another Century” from man woman life death infinity (2017) and “Is this Where You Live?” from Of Skins and Heart (1981). Intro: “Under the Milky Way” from Starfish (1988). We conclude with the title track from Steve’s solo album Sydney Rococo (2018). More at thechurchband.net and thetimebeing.com.
Glen led smooth alt rock legends Toad the Wet Sprocket from ’88 to ’97 through six albums, has released 7 often folky solo albums (and 3 more Toad albums since their reunion) since then plus various side projects.
We discuss “Old Habits Die Hard” by Toad (a 2020 single), “Leaving Oldtown” from Swallowed by the New (2016), and “One Wind Blows” from Toad’s Bread and Circus (1988). We end with the title track from the 2021 Toad album Starting Now. Intro: “All I Want” from fear (1991). For more see glenphillips.com and toadthewetsprocket.com.
Cathal started in Ireland in 1980 with Microdisney, and after five albums with then broke that up to form Fatima Mansions in 1988. After seven albums with them, he started a solo career and has now after a decade-long hiatus (during which he released a few collaborations) has come back with his sixth solo release Song of Co-Acklan. We discuss “Unrealtime” and (in closing) hear the title track from that album, plus “Denial Of The Right To Dream” from The Sky’s Awful Blue (2002) and “Valley of the Dead Cars” by The Fatima Mansions from Against Nature (1989). Intro/outro: “Town to Town” by Microdisney from Crooked Mile (1987). For more, see cathalcoughlan.com.
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Josh released three albums and some EPs in the 90s with his brothers as the Chicago-area punk band Smoking Popes, then became a Christian and released an album and a half as Duvall, then reformed the Smoking Popes to release three more albums since 2008. He’s also released some religious material as a solo artist, and his new album is composed of live covers of classic songs and reworkings of his own material.
We discuss “Need You Around,” originally from Born to Quit (1995) and re-arranged for The Hideout Sessions (2021). We then turn to the Popes’ “Amanda My Love” from Into the Agony (2018) and Duvall’s “Taking Me Home” from Volume & Density (2003), and we conclude with another new recording, “My Funny Valentine” (Rodgers/Hart). Intro: “Megan” from Destination Failure (1997). More at smokingpopesmusic.com.
Rod released his first album “Solo” in 1975, played in some bands, but after losing on Star Search, turned to soundtrack work, emerging only in 2018 with three straight albums of acoustic singer-songwriter and instrumental material.
We discuss “My Father Was a Quiet Man” (and listen to “Whiskey & Pie”) from Normal Isn’t Normal Anymore (2021), “How to Forget” from The Man I’m Supposed to Be (2018), and “Working the Mill” and “Battle in Laketown” from The Hobbit Official Soundtrack (2003). Intro: “Driving to Dan’s” from Rage Original Game Soundtrack (2011). For more, see rodabernethy.com.
David played in perhaps the most revered line-up of King Crimson at the end of its original run from ’72-’74. He released his first “solo” album (as Low Flying Aircraft) in ’87, then eight more under his own name plus several collaborations.
We discuss “Predator” by Cross and Jackson from Another Day (2018), “The Pool” by The David Cross Band from Sign of the Crow (2016), and “Awful Love” from Closer than Skin (2005). We conclude with the title track from Crossover by David Cross and Peter Banks (2020). Intro: “Exiles” by King Crimson from Larks’ Tongues in Aspic (1973). For more, see davidcrossband.com.
Steve was in one of Minneapolis’ first big punk bands, The Suicide Commandos, but after one album in 1977, he soon left for New York City and eventually hit it relatively big with two records on IRS as Beat Rodeo, with a solo career continuing the country-rock style beginning in 1992 through nine albums.
We discuss “The Way I Treated You” (and listen to “Goodbye Nicolina,” featuring The Jayhawks’ Gary Louris) from Everywhere You’ve Been (2021), “Try Again” by The Suicide Commandos from their reunion album Time Bomb (2017), and the title track from Steve’s first solo record East River Blues (1992). Intro: “Just Friends” from Staying Out Late w/ the Beat Rodeo (1984).
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Though best known as lead guitarist for Wilco since 2004, Nels has recorded 30+ instrumental albums, often as band leader. We discuss “Headdress” by The Nels Cline Singers from Share the Wealth (2020), “The Nomad’s Home” from Coward (2009), and “Fives & Sixes” from his first solo release, Angelica (1987). We conclude by listening to “Imperfect Ten” by The Nels Cline 4 from From Currents, Constellations (2018). Intro: “You Are My Face” by Wilco from Sky Blue Sky (2007), co-written with Jeff Tweedy. More at nelscline.com.
Jay is best known as sideman for Drive-By Truckers since 2008 but has written songs for Athens bands like The Possibilities and Nutria since the 90s and has three solo releases.
We discuss the title track (and listen at the end to “I Wanna Hold You”) from Back to the Hive (2021), “&#%&#!” and “Shenorock Lane” from The Bitter Suite (2015), and “Turning Me On” from Mess of Happiness (2012). Intro: “Tough to Let Go” by Drive-By Truckers from The New OK (2020). For more see jaygonzalez.com.
Dennis fronted the Baltimore punk band Ebenezer and The Bludgeons in the late 70s, and after some transitional projects moved to L.A. where his ’60s-ish guitar pop band The Jigsaw Seen released nine albums from 1989-2015.
We discuss “Museum Piece” (and listen to “Shadow on a Tall Tree” at the end) from his debut solo album, The Book Of Strongman (2020); “Idiots with Guitars” from Old Man Reverb (2014); and the title track from My Name Is Tom (1991). Intro: “Jim Is the Devil” (a 1989 single). For more, visit dennisdavisonmusic.com.
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After joining Jellyfish in 1993 just before its demise, Eric’s big break came when he was asked to sing for Slash’s Snakepit. He then returned to Roger Manning from Jellyfish for an album as Imperial Drag, worked as sideman (e.g. for Alice Cooper) and studio guy and had two releases as Sextus. He’s now back with Roger in The Lickerish Quartet, which released two EPs.
We discuss “The Dream That Took Me Over” by The Lickerish Quartet from Threesome, Vol. 2 (2021), “Wishing You Well” by Sextus from Stranger Than Fiction (2008), and “Boy or a Girl” from Imperial Drag (1996). End song: “What Do You Want from Me?” from The Eyes of Alice Cooper (2003). Intro: “Beggars & Hangers-On” by Slash’s Snakepit from It’s Five O’Clock Somewhere (1995). More at thelickerishquartet.com.
Folky, soul-singing Rebecca has had six releases since 2007. We discuss “Mama” from her solo EP, Songs for Cleaning Women, Pt. 1 (2020), “No One Knows Me” by Rebecca Rego and the Trainmen from Speaking of Witches (2019), “Gave Me” by rego off of From the Royal Arcade (2009), and “Cruel” from Lay These Weapons Down (2016). Intro: “Call My Mother” from Tolono (2014). See rebeccaregoandthetrainmen.com.
Sponsor: Visit nebia.com/nem and use code NEM for 15% off your shower revolution.
Robert co-fronted the Australian-born post-punk band The Go-Betweens through nine albums in the ’80s and ’00s with Grant McLennan before the latter’s death in 2006 and has also released seven solo albums.
We discuss “No Fame” from Inferno (2019), “Here Comes a City” by The Go-Betweens from Oceans Apart (2005), and “On My Block” by The Go-Betweens from Before Hollywood (1983). We conclude by listening to “Let Me Imagine You” from Songs to Play (2015). Intro: “Clouds” by The Go-Betweens from 16 Lovers Lane (1988).
Larry has appeared on 20+ albums since co-founding Magraw Gap in 1990 and then becoming bandleader on ’97. He’s known for his lightning flat picking and has more recently added a good dose of social commentary and fundamental questioning to his songwriting.
We discuss “Mars’ Cry” (and listen to “Try”) from American Dream (2020), “Crocodile Man” from One (2019), and “Diamond Break” from Backwoods (2009). Intro: The title track to The Sound (1999). For more, see larrykeel.com.
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Don started the NY-based Life in a Blender in the late 80s and has put out ten albums of tunes with off-kilter lyrics and increasingly elaborate arrangements. We discuss “The Ocean is a Black and Rolling Tongue” (and listen at the end to “Soul Deliverer”) from Satsuma (2020), “Falmouth” from We Already Have Birds That Sing (2014), and “Chicken Dance” from Two Legs Bad (1997). Intro: “Mounds of Flesh” from Welcome to the Jelly Days (1988). For more see lifeinablender.net.
Recycling a great music discussion featuring a past NEM guest from Mark’s other entertainment podcast for the New Year!
Plenty of songs try to tell stories, but do the pop song format and narrative really mix? Rod Picott joins Pretty Much Pop to talk about classics by Bob Dylan and Johnny Cash, formative nightmares like “Leader of the Pack” and “The Pina Colada Song, borderline cases like “Bohemian Rhapsody,” and more. How does this form relate to theater, videos, and commercials?
Markus began composing as a teen, “found his tribe” in getting connected to King Crimson’s Robert Fripp in the early 90s, and has put out 40+ solo and collaborative albums of experimental music since 2000, including work in Stick Men with Crimson’s Tony Levin and Pat Mastelotto.
We discuss “Swoonage” from Truce (2020), “Boon” by Marcus Reuter and the Matangi Quartet from String Quartet No. 1 ‘Heartland’ (2019), and “11-11” by Tuner (Pat Mastelotto and Markus Reuter) from POLE (2007), and end by listening to “The Cult of Bibbiboo” by centrozoon from The Divine Beast (2001). Intro: “Condition IV” from Falling for Ascension (2017). More at .