Not music, this time, but music commentary (sort of), a philosophy of music, if you will: “On Music Appreciation.” One of the tasks of this weekly routine is to digitize old cassettes, and this is a bit of “Mark’s Diary” from 1978-79, so I believe I was in 3rd grade at the time. I’ve edited it so as to keep Continue Reading …

Another for the same album: “Not Too Late.” I added the vocals, acoustic, bass, percussion, and the big distorted background guitar all in the last couple of days, after not working on this since 2000. Written in late ’98 as my time in philosophy grad school was ending. Even as I entered grad school, I had a fatalistic “Nothing is Continue Reading …

Another tune destined for the Mark Lint & the Simulacra album: “Night Before the End.” If you’ve listened to the podcast ep. 16, you’ve heard that Seth thinks that it’s boring when musicians interpret songs for you, so I won’t to that, and leave you merely to wonder what it would mean to be “bold enough to bend” and “cold Continue Reading …

This week I mixed a demo from a failed 2000 collaboration: “Mush.” One of the first musicians I met in Madison upon arriving in 2000 was Ken Labarre. “Mush” was a song he wrote for his previous band, and it rips on people who bare their feelings on daytime talk shows (not the kind of topic I typically write about, Continue Reading …

The first newly completed song from the “Madison Lint” album: “Cold.” I’ve been singing this a lot to myself as I walk around this horribly frozen wasteland that is Wisconsin and thinking about when I wrote the words to this while wandering around the building of my crappy office job back in early 2001, when both the job and the Continue Reading …

Here’s another new recording: “Ann(e).” It’s a pretty old song, written I think late in 1991, back when I was in a psychedlic band called The MayTricks, and though the recording is entirely new (OK, I started the click track and the acoustic guitar back in 2000, i.e. this is another tune destined for the “Cheese Stands Alone” album), the Continue Reading …

More video this week: http://www.youtube.com/user/MLinsenmayer#p/a/u/1/u3nNXdV8tbQ. The linked song is one of two I’ve just put up there from a 1997 gig by The Fake Johnson Trio. This was the very last gig for that band, and one of the few played as an actual trio: I switched to bass for a couple of shows for that incarnation. The song is Continue Reading …

As January draws to a close, I made good on my determination to upload some more gig video, with a couple of songs from 1/16/10 New People show from the Alchemy Cafe. The song of the two by me currently visible (though I hope to have more up shortly) is at http://www.youtube.com/user/MLinsenmayer#p/a/u/1/_-9pPUESKN4, and from that URL you should be able Continue Reading …

This week’s entry is an entirely new recording: “Came Round.” On one or two days in the summer of ’99 I wrote and recorded maybe five song fragments with nonsense lyrics that featured dual-vocals throughout the whole thing a la the Byrds. I was contemplating starting a folk duo that would feature collaborative songwriting and wanted to have some material Continue Reading …

This week I’ve finished another tune from the same project as “Write Me Off,” namely “Once in a Great While,” which was originally called “Therapy Song #141.” The song is one of several I’ve written about inspiration and its masochistic character. What I want from moment to moment is a feeling of warmth, of involvement. When I finish a great Continue Reading …

This week’s newly finished recording is “Write Me Off.” This is part of the “Sinking and the Aftermath” project; the story of my utter irresponsibility in not finishing these songs (from 1999-2000) earlier is told here. This is one of my favorite songs of those I’ve written, and it’s gone around my head quite regularly in the 10 years since Continue Reading …

Listen to “Space” by Mark Lint. This song was written in 1997 or 1998 smack in the heart of my Texas grad school tenure. That’s what the reference to “Every day I get up about three hours late” is about; I tended to sleep until 11am in those days. This is a song that seemed too sappy, simple, and uncool Continue Reading …