The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
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Concluding “Gender Trouble” (1990), with just Mark, Wes, and Seth going carefully through pt I, sec v: “Identity, Set, and the Metaphysics of Substance,” and pt III, sec iv: “Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions.”
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End song: “I’m a Boy” by Lys Guillorn as interviewed for Nakedly Examined Music #44.
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More Gender Trouble (1990) with Jennifer Hansen. We get into the metaphysics of substance (is gender an attribute that a person has, or is there a better way to describe the situation?), performatives, Beauvoir vs. Irigaray on femininity, and the available mechanisms for changing gender norms.
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On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how?
Butler describes gender not as an essential quality of a person, but as “performed,” as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen.
End song: “I’m a Boy” by Lys Guillorn as interviewed for Nakedly Examined Music #44.
On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how?
Butler describes gender not as an essential quality of a person, but as “performed,” as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen.
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Concluding Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen.
We continue on the ailments of women under patriarchy as well as the existential problems that we’re all subject to. Are we doomed to isolation, or does existentialism allow for intimacy? Is marriage in “bad faith”? We also talk narcissism, abjection, and the film Marriage Story.
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End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
Please contribute to the Leukemia/Lymphoma Society through Mina Linsenmayer’s campaign at partiallyexaminedlife.com/cancer.
On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another’s eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time!
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Please consider contributing to the Leukemia/Lymphoma Society through Mina Linsenmayer’s campaign; see partiallyexaminedlife.com/cancer.
On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. We explore the maladies of love, try to figure how B’s picture relates to modern romance and what her positive prescription for good love is, and use the recent film A Marriage Story as a case study.
End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
Continuing on the dialogue, where Socrates argues that Protagoras doesn’t actually know what virtue is, because he thinks that the various virtues (especially courage) are distinct, a claim that Socrates refutes in several (logically suspect) ways.
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End song: “Make It Clear” by Feelies; hear Glenn Mercer on Nakedly Examined Music #41.
On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.
What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.
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Sponsor: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service.
On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.
What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.
End song: “Make It Clear” by Feelies; Mark interviewed Glenn Mercer on Nakedly Examined Music #41.
Continuing Simone de Beauvoir’s The Second Sex (1949) with guest Jennifer Hansen.
How does one become a Subject and how do women traditionally get shut out of this process? We get into Vol. 2, “Lived Experience” where Beauvoir details how this drama unfolds in various stages of life. Also, religion, logic, the relation of biology to situation, and more. How do we modernize Beauvoir’s critique given the evolution in women’s positions since the book was written?
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End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.
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On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.
According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.
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Sponsor: Give effectively through givewell.org/PEL.
On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.
According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.
End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.
Continuing on Descartes’s Discourse on Method, looking closely at part 4 (his proto-Meditations) and his “provisional” Stoic ethics.
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End song: “My Real Fantasy” By Joe Louis Walker, as interviewed on Nakedly Examined Music #110.
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On René Descartes’s Discourse on Method (1637), an overview of his work that distills his method, outlines his famous Meditations, presents a provisional (Stoic) ethics, and considers whether he wants to be a public intellectual. This is all meant as a preface to scientific publications on geometry, optics, and meteors.
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Sponsors: $10 off at skylightframe.com (code PEL), get a free trial of unlimited learning at thegreatcoursesplus.com/PEL , learn about St. John’s College at sjc.edu, and give effectively through givewell.org/PEL.
On René Descartes’s Discourse on Method (1637), an overview of his work that distills his method, outlines his famous Meditations, presents a provisional (Stoic) ethics, and considers whether he wants to be a public intellectual. This is all meant as a preface to scientific publications on geometry, optics, and meteors.
End song: “My Real Fantasy” By Joe Louis Walker, as interviewed on Nakedly Examined Music #110.
Wes Alwan and William Sharp (psychoanalyst and professor at Northeastern) discuss the film at the Boston Graduate School of Psychoanalysis.
Why has this film done so well? It offers no spectacle, and good doesn’t triumph. It is psychologically true and expertly performed. The audience can enjoy tragedy and identify deeply with a social outcast and villain. The film successfully exploits the relationship between humor and violence, and comedy and tragedy.
Continuing on Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.
Latour rejects the idea of objective truth totally apart from perceivers, so is he an idealist? We lay out the “Constitution” of modernity that keeps science and politics separate, how it makes it difficult for us to address issues like climate change, and what Latour thinks should replace it.
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End song: “Mono No Aware” by Guy Sigsworth, as discussed on Nakedly Examined Music #109.
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On Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.
What’s the “modern” ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we’ve never fully bought into.
Don’t wait for part two; get your unbroken, ad-free Citizen Edition now. Please support PEL!
Sponsors: Get $10 off at skylightframe.com w/ code PEL. Get a free trial of unlimited learning at thegreatcoursesplus.com/PEL. Check out Wes’s sister’s Inner Loop Radio podcast.
On Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.
What’s the “modern” ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we’ve never fully bought into.
End song: “Mono No Aware” by Guy Sigsworth, as discussed on Nakedly Examined Music #109.
