The Partially Examined Life Philosophy Podcast

A Philosophy Podcast and Philosophy Blog

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Ep. 234: Beauvoir on Romance in “The Second Sex” (Part One)

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On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another’s eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time!

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Ep. 234: Beauvoir on Romance in “The Second Sex” (Citizen Edition)

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On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. We explore the maladies of love, try to figure how B’s picture relates to modern romance and what her positive prescription for good love is, and use the recent film A Marriage Story as a case study.

End song: “Easier than Leaving” by Michaela Anne, soon to appear on Nakedly Examined Music #114.

Ep. 233: Plato’s “Protagoras” on Virtue (Part Two)

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Continuing on the dialogue, where Socrates argues that Protagoras doesn’t actually know what virtue is, because he thinks that the various virtues (especially courage) are distinct, a claim that Socrates refutes in several (logically suspect) ways.

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End song: “Make It Clear” by Feelies; hear Glenn Mercer on Nakedly Examined Music #41.

Ep. 233: Plato’s “Protagoras” on Virtue (Part One)

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On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.

What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.

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Ep. 233: Plato’s “Protagoras” on Virtue (Citizen Edition)

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On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.

What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.

End song: “Make It Clear” by Feelies; Mark interviewed Glenn Mercer on Nakedly Examined Music #41.

Ep. 232: Simone de Beauvoir’s “The Second Sex” (Part Two)

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Continuing Simone de Beauvoir’s The Second Sex (1949) with guest Jennifer Hansen.

How does one become a Subject and how do women traditionally get shut out of this process? We get into Vol. 2, “Lived Experience” where Beauvoir details how this drama unfolds in various stages of life. Also, religion, logic, the relation of biology to situation, and more. How do we modernize Beauvoir’s critique given the evolution in women’s positions since the book was written?

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End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.

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Ep. 232: Simone de Beauvoir’s “The Second Sex” (Part One)

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On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.

According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.

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Ep. 232: Simone de Beauvoir’s “The Second Sex” (Citizen Edition)

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On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.

According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.

End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.

Ep. 231: Descartes’s “Discourse” on Wisdom and Certainty (Part Two)

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Continuing on Descartes’s Discourse on Method, looking closely at part 4 (his proto-Meditations) and his “provisional” Stoic ethics.

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End song: “My Real Fantasy” By Joe Louis Walker, as interviewed on Nakedly Examined Music #110.

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Ep. 231: Descartes’s “Discourse” on Wisdom and Certainty (Part One)

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On René Descartes’s Discourse on Method (1637), an overview of his work that distills his method, outlines his famous Meditations, presents a provisional (Stoic) ethics, and considers whether he wants to be a public intellectual. This is all meant as a preface to scientific publications on geometry, optics, and meteors.

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Sponsors: $10 off at skylightframe.com (code PEL), get a free trial of unlimited learning at thegreatcoursesplus.com/PEL , learn about St. John’s College at sjc.edu, and give effectively through givewell.org/PEL.

Ep. 231: Descartes’s “Discourse” on Wisdom and Certainty (Citizen Edition)

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On René Descartes’s Discourse on Method (1637), an overview of his work that distills his method, outlines his famous Meditations, presents a provisional (Stoic) ethics, and considers whether he wants to be a public intellectual. This is all meant as a preface to scientific publications on geometry, optics, and meteors.

End song: “My Real Fantasy” By Joe Louis Walker, as interviewed on Nakedly Examined Music #110.

(sub)Text: A Discussion of Todd Phillips’ Film ‘Joker’

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Wes Alwan and William Sharp (psychoanalyst and professor at Northeastern) discuss the film at the Boston Graduate School of Psychoanalysis. 

Why has this film done so well? It offers no spectacle, and good doesn’t triumph. It is psychologically true and expertly performed. The audience can enjoy tragedy and identify deeply with a social outcast and villain. The film successfully exploits the relationship between humor and violence, and comedy and tragedy.

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Ep. 230: Bruno Latour on Science, Culture, and Modernity (Part Two)

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Continuing on Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.

Latour rejects the idea of objective truth totally apart from perceivers, so is he an idealist? We lay out the “Constitution” of modernity that keeps science and politics separate, how it makes it difficult for us to address issues like climate change, and what Latour thinks should replace it.

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End song: “Mono No Aware” by Guy Sigsworth, as discussed on Nakedly Examined Music #109.

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Ep. 230: Bruno Latour on Science, Culture, and Modernity (Part One)

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On Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.

What’s the “modern” ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we’ve never fully bought into.

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Sponsors: Get $10 off at skylightframe.com w/ code PEL. Get a free trial of unlimited learning at thegreatcoursesplus.com/PEL. Check out Wes’s sister’s Inner Loop Radio podcast.

Ep. 230: Bruno Latour on Science, Culture, and Modernity (Citizen Edition)

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On Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.

What’s the “modern” ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we’ve never fully bought into.

End song: “Mono No Aware” by Guy Sigsworth, as discussed on Nakedly Examined Music #109.

Ep. 229: Descartes’s Rules for Thinking (Part Three)

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Concluding René Descartes’s Rules for Direction of the Mind (1628).

We finish rule 12 through the end, talking about simples, the faculties of intuition and judgment, perception and imagination, necessary vs. contingent truths, and how to do Cartesian science, including what constitutes a “perfectly understood problem.”

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End song: “Perfect Design” by Ian Moore, as interviewed on Nakedly Examined Music #94.

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Boston-area listeners can see Wes live talking Joker on 11/22; see partiallyexaminedlife.com/joker.

Ep. 229: Descartes’s Rules for Thinking (Part Two)

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Continuing on René Descartes’s Rules for Direction of the Mind (1628), covering rules 7 through the first part of the lengthy rule 12.

We try to figure out what he means by “enumeration”; the faculties of imagination, sense and memory; the virtues of perspicacity and sagacity; his psychology of the senses, the “common sense” where all sense data comes together, and the understanding; how Descartes recommends we do scientific investigation; why syllogisms stink; and whether some people are just better at philosophy than others.

Start with part 1. You don’t need to wait for part 3; get the full Citizen Edition now. Please support PEL!

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Ep. 229: Descartes’s Rules for Thinking (Part One)

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On René Descartes’s Rules for Direction of the Mind (1628).

Is there a careful way to approach problems that will ensure that you’ll always be right? What if you just never assert anything you can’t be sure of? This is Descartes’s strategy, modeled on mathematics. We likewise carefully move step-by-step through this text.

Sponsor: Visit HempFusion.com for CBD supplements and use code PEL at check-out for 20% off/free shipping.

Ep. 229: Descartes’s Rules for Thinking (Citizen Edition)

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On René Descartes’s Rules for Direction of the Mind (1628).

Is there a careful way to approach problems that will ensure that you’ll always be right? What if you just never assert anything you can’t be sure of? This is Descartes’s strategy, modeled on mathematics. We likewise carefully move step-by-step through this text.

End song: “Perfect Design” by Ian Moore, as interviewed on Nakedly Examined Music #94.

Ep. 228: Social Construction of Race (Appiah, Mills) (Part Two)

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Continuing on Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010) with guest Coleman Hughes.

Racial classifications vary geographically, therefore race is socially constructed. Given this, can we retain the positive aspects of group identification without hierarchies and what Appiah calls “imperialism of identity”?

Start with part one or get the full, ad-free Citizen Edition. Please support PEL!

End song: “Tired Skin” by Alejandro Escovedo, as interviewed on Nakedly Examined Music #60.

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About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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