The Partially Examined Life Philosophy Podcast

A Philosophy Podcast and Philosophy Blog

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Ep. 230: Bruno Latour on Science, Culture, and Modernity (Citizen Edition)

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On Latour’s We Have Never Been Modern (1993) with guest Lynda Olman.

What’s the “modern” ideology of science, and is there something we should critique about it? Latour wants us to think about science not abstractly through the eternal truths it supposedly discovers, but through the concrete practices of scientists. He investigates the Modern Constitution by which science and politics are kept conceptually separate, a myth that he claims we’ve never fully bought into.

End song: “Mono No Aware” by Guy Sigsworth, as discussed on Nakedly Examined Music #109.

Ep. 229: Descartes’s Rules for Thinking (Part Three)

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Concluding René Descartes’s Rules for Direction of the Mind (1628).

We finish rule 12 through the end, talking about simples, the faculties of intuition and judgment, perception and imagination, necessary vs. contingent truths, and how to do Cartesian science, including what constitutes a “perfectly understood problem.”

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End song: “Perfect Design” by Ian Moore, as interviewed on Nakedly Examined Music #94.

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Boston-area listeners can see Wes live talking Joker on 11/22; see partiallyexaminedlife.com/joker.

Ep. 229: Descartes’s Rules for Thinking (Part Two)

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Continuing on René Descartes’s Rules for Direction of the Mind (1628), covering rules 7 through the first part of the lengthy rule 12.

We try to figure out what he means by “enumeration”; the faculties of imagination, sense and memory; the virtues of perspicacity and sagacity; his psychology of the senses, the “common sense” where all sense data comes together, and the understanding; how Descartes recommends we do scientific investigation; why syllogisms stink; and whether some people are just better at philosophy than others.

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Ep. 229: Descartes’s Rules for Thinking (Part One)

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On René Descartes’s Rules for Direction of the Mind (1628).

Is there a careful way to approach problems that will ensure that you’ll always be right? What if you just never assert anything you can’t be sure of? This is Descartes’s strategy, modeled on mathematics. We likewise carefully move step-by-step through this text.

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Ep. 229: Descartes’s Rules for Thinking (Citizen Edition)

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On René Descartes’s Rules for Direction of the Mind (1628).

Is there a careful way to approach problems that will ensure that you’ll always be right? What if you just never assert anything you can’t be sure of? This is Descartes’s strategy, modeled on mathematics. We likewise carefully move step-by-step through this text.

End song: “Perfect Design” by Ian Moore, as interviewed on Nakedly Examined Music #94.

Ep. 228: Social Construction of Race (Appiah, Mills) (Part Two)

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Continuing on Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010) with guest Coleman Hughes.

Racial classifications vary geographically, therefore race is socially constructed. Given this, can we retain the positive aspects of group identification without hierarchies and what Appiah calls “imperialism of identity”?

Start with part one or get the full, ad-free Citizen Edition. Please support PEL!

End song: “Tired Skin” by Alejandro Escovedo, as interviewed on Nakedly Examined Music #60.

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Ep. 228: Social Construction of Race (Appiah, Mills) (Part One)

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On Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010). With guest Coleman Hughes.

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Ep. 228: Social Construction of Race (Appiah, Mills) (Citizen Edition)

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On Kwame Anthony Appiah’s “Race, Culture, Identity: Misunderstood Connections” (1994), Charles Mills’s “But What Are You Really?, The Metaphysics of Race” (1998), and Neven Sesardic’s “Race: A Social Destruction of a Biological Concept” (2010). With guest Coleman Hughes.

End song: “Tired Skin” by Alejandro Escovedo, as interviewed on Nakedly Examined Music #60.

Ep. 227: What Is Social Construction? (Hacking, Berger) (Part Two)

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Continuing Ian Hacking’s The Social Construction of What (1999) and Peter Berger’s “Religion and World Construction” (1967).

We break down Hacking’s typology of construction arguments: Are they exploring where our ideas came from or trying to change things? Are they trying to state facts about nature vs. nurture or essentially political solicitations for us to reconceptualize in healthier ways? Plus, more about the supposed divide between science wars and the culture wars and Berger’s picture of the nomos (custom) defining what it is for us to live a meaningful life.

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End song: “The ConstruKction of Light, Part 1” by King Crimson; listen to Mark with Trey Gunn on Nakedly Examined Music #21.

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Ep. 227: What Is Social Construction? (Hacking, Berger) (Part One)

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On Ian Hacking’s The Social Construction of What (1999) and Peter Berger’s “Religion and World Construction” (1967).

Guest Coleman Hughes from Dilemma joins us to survey the types of social construction arguments: the “culture wars” (e.g., race, gender) and the “science wars” (scientific findings are not read off the world but emerge from history). Something can be constructed, yet still be an objective truth we have to deal with.

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Ep. 227: What Is Social Construction? (Hacking, Berger) (Citizen Edition)

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On Ian Hacking’s The Social Construction of What (1999) and Peter Berger’s “Religion and World Construction” (1967).

Guest Coleman Hughes from Dilemma joins us to survey the types of social construction arguments: the “culture wars” (e.g., race, gender) and the “science wars” (scientific findings are not read off the world but emerge from history). Something can be constructed, yet still be an objective truth we have to deal with.

End song: “The ConstruKction of Light, Part 1” by King Crimson; listen to Mark with Trey Gunn on Nakedly Examined Music #21.

Ep. 226: Francis Bacon Invents Science (Part Two)

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Continuing on Sir Francis Bacon’s New Organon (1620).

We cover more of Bacon’s “idols” and how Bacon divides religion from science (and what this means politically). We then move on to book 2, including Bacon’s novel update of the term “form,” and take a look at Bacon’s method of doing science by filling out tables before actually doing experiments.

Start with part one or get the full, unbroken Citizen Edition. Please support PEL, like, get Patreon’s feed for a mere $1/month.

End song: “Stuck in a Cave” by Chrome Cranks; hear Mark talk to singer/songwriter Peter Aaron on Nakedly Examined Music #93.

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Ep. 226: Francis Bacon Invents Science (Part One)

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On Sir Francis Bacon’s New Organon (1620).

Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn’t possible for ancient and modern natural philosophy.

Mark, Wes, and Dylan consider how much what Bacon describes resembles modern scientific method, talk through Bacon’s “four idols” that interfere with impartial inquiry, and consider how Bacon’s method fits in with his larger political-ethical-religious views.

Don’t wait for part two; get the full, unbroken Citizen Edition now. Please support PEL!

Ep. 226: Francis Bacon Invents Science (Citizen Edition)

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On Sir Francis Bacon’s New Organon (1620).

Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn’t possible for ancient and modern natural philosophy. Mark, Wes, and Dylan consider how much what Bacon describes resembles modern scientific method, talk through Bacon’s “four idols” that interfere with impartial inquiry, and consider how Bacon’s method fits in with his larger political-ethical-religious views.

End song: “Stuck in a Cave” by Chrome Cranks; hear Mark talk to Peter Aaron on Nakedly Examined Music #93.

Ep. 225: Simone Weil on War and Oppression (Part Two)

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Continuing on Simone Weil’s essays “The Iliad, or the Poem of Force” (1939) and “Analysis of Oppression” (1934) with guest Corey Mohler.

We talk about the self-contradictions of power, why oppression and war are so intractable, and her positive solution (what there is of it here). Weil cuts through our left-right political dichotomy in a way that might interest you. Plus, why the Iliad is so great.

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End song: “Throw Down the Sword” from Wishbone Ash; hear Andy Powell on Nakedly Examined Music #51.

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Ep. 225: Simone Weil on War and Oppression (Part One)

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On Simone Weil’s essays “The Iliad, or the Poem of Force” (1939) and “Analysis of Oppression” (1934).

How do circumstances oppress and dehumanize us? Weil describes the mechanisms that keep people at war and maintain oppression even through revolutions as inherent to the logic of power. With guest Corey Mohler.

Don’t wait for part two; get the full, ad-free Citizen Edition now. Please support PEL!

Ep. 225: Simone Weil on War and Oppression (Citizen Edition)

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On Simone Weil’s essays “The Iliad, or the Poem of Force” (1939) and “Analysis of Oppression” (1934).

How do circumstances oppress and dehumanize us? Weil describes the mechanisms that keep people at war and maintain oppression even through revolutions as inherent to the logic of power. With guest Corey Mohler.

End song: “Throw Down the Sword” from Wishbone Ash; hear Andy Powell on Nakedly Examined Music #51.

Ep. 224: Kierkegaard Critiques the Present Age (Part Two)

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Continuing on “The Present Age” (1846), plus Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004) with guest John Ganz.

Does K’s critique actually apply to our present age? We address K’s view of humor, romance, authenticity, actual community vs. “the public,” the leveling that occurs without anyone specific actually doing it, and the virtue of silence.

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End song: “Wry Observer” by Aaron David Gleason, as discussed on Nakedly Examined Music #71.

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Ep. 224: Kierkegaard Critiques the Present Age (Part One)

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On Soren Kierkegaard’s essay “The Present Age” (1846) and Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004).

What’s wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz.

Don’t wait for part 2; get the full, ad-free Citizen Edition now. Please support PEL!

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Ep. 224: Kierkegaard Critiques the Present Age (Citizen Edition)

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On Soren Kierkegaard’s essay “The Present Age” (1846) and Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004).

What’s wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz.

End song: “Wry Observer” by Aaron David Gleason, as discussed on Nakedly Examined Music #71.

About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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