The Partially Examined Life Philosophy Podcast

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Ep. 243: Aristotle’s “Poetics” on Art and Tragedy (Part Two)

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Continuing on the Poetics from around 335 BCE, on the structure of plot (every element must be essential!), the moral status of the heroes, Homeric poetry, the difference between tragedy and history, and how Aristotle’s formula may or may not apply to modern media.

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End song: “Structure of a Tragedy” by Mark Lint. Read about it.

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Ep. 243: Aristotle’s “Poetics” on Art and Tragedy (Part One)

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These notes from 335 BCE are still used in screenwriting classes. Aristotle presents a formula for what will move us, derived from Sophocles’s tragedies.

What is art? The text describes it as memesis (imitation), and tragedy imitates human action in a way that shows us what it is to be human. Aristotle has lots of advice about how to structure a plot optimized to our sensibilities. Join Mark, Wes, Dylan, and Seth to see if you think he’s right.

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Ep. 242: Stanley Cavell on Tragedy via King Lear (Part Two)

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Continuing on Cavell’s essay “The Avoidance of Love: A Reading of King Lear” (1969), shifting away from Lear in particular to a more general discussion of tragedy and Cavell’s psychological insights.

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End song: “Out of Your Hands” by Gretchen’s Wheel, i.e., Lindsay Murray, as interviewed for Nakedly Examined Music #81.

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Ep. 241: Political Philosophy and the Pandemic

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How should we think politically about the current global crisis? Do extreme circumstances reveal truths of political philosophy or do they reinforce whatever it is we already believe? Mark, Wes, Seth, and Dylan talk about applying philosophical insights to real-life situations rife with unknowns, John Rawls’s veil of ignorance and Adam Smith on our interconnectedness, utilitarianism, libertarianism, and more. A source we used was “How Coronavirus Is Shaking Up the Moral Universe” by John Authers.

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End song: “Date of Grace” by Rob Picott, as discussed on Nakedly Examined Music #80.

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Ep. 240: David Lewis on Possible Worlds and Language Games (Part Two)

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On “Scorekeeping in a Language Game” (1979) and “Truth in Fiction” (1978).

Lewis’s account of possible worlds can be applied to conversation: As we speak, each sentence adds to the “conversational score” (the set of assumptions that enable us to understand each other) while reducing the field of possible worlds that the picture we’re painting together could potentially represent. What are the gravitational forces within this kind of scorekeeping? Also, when an author creates a fictive “world,” how do facts about that world logically relate to those of the actual world? With guest Matt Teichman.

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End song: “Real Life” by Matt Wilson, as interviewed for Nakedly Examined Music #118.

Ep. 240: David Lewis on Possible Worlds and Language Games (Part One)

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On Ch. 4 of Lewis’s book Counterfactuals (1973) and the essays “Scorekeeping in a Language Game” (1979) and “Truth in Fiction” (1978).

What makes a sentence about possibility true? Lewis thinks that we need possible worlds that really exist in order to make sense of our modal intuitions. He uses this possible-world talk to make sense of conversations and the worlds created by fiction writers. With guest Matt Teichman from Elucidations.

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Ep. 239: Montesquieu Invents Political Science (Part Two)

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Continuing on The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu. Mark, Wes, Dylan, and Seth talk more about the “motive force” behind each type of government and the separation of powers.

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End song: “King of the Hill” by MINUTEMEN. Listen to Mark interview Mike Watt on Nakedly Examined Music #108.

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Ep. 239: Montesquieu Invents Political Science (Part One)

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On The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu.

What keeps a society functioning? Montesquieu, though of course not the first political philosopher, was perhaps the first to systematically explore correlations between characteristics of a government, its people, its climate, dominant industries, religion, and other factors. Some of his ideas directly influenced the American Constitution, and some of them are very very weird.

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Ep. 238: Lingering Questions

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Mark, Wes, Dylan, and Seth summarize thoughts about our recent series on social construction, gender and sex, and Judith Butler’s notion of “grievable lives.” Should we stop covering so much contemporary work and/or political topics?

End song: “The Size of Luv” by Mark Lint from Mark Lint’s Dry Folk (2018).

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Ep. 237: Walter Benjamin Analyzes Violence (Part Two)

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Continuing on Benjamin’s “Critique of Violence” (1921).

Mark, Wes, and Seth keep trying to figure out this difficult essay. Is Benjamin really advocating a workers’ revolution to end the state, or just reflecting on a hypothetical to explore the limits of the concept of violence?

According to Judith Butler’s interpretation of the essay, the takeaway is the alternative to motivation through force, i.e. speech, which Benjamin (in other essays) gives some religious significance, but the way he actually concludes the essay is in a discussion of “divine violence” as somehow transcending means-end analysis and the corruption inherent in violence.

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End song: “Jericho” from hackedepiciotto, as interviewed on Nakedly Examined Music #116.

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Ep. 237: Walter Benjamin Analyzes Violence (Part One)

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On “Critique of Violence” (1921). What is violence? Benjamin gives us a taxonomy: law-creating, law-preserving, mythological, and divine. Then he deconstructs his own distinctions to demonstrate that all state power is rotten through its being founded on and continually re-established by violence or the threat of it.

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Ep. 236: Judith Butler Interview: “The Force of Nonviolence”

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On The Force of Nonviolence: An Ethico-Political Bind (2020).

What is it to be nonviolent in political activity? Most ethics allow for self-defense, but Judith has a problem with defining “self” as well as “violence,” and offers a full critique of the individualism that underlies typical Western approaches to both ethics and politics.

Mark, Seth, and Wes interview Judith about these issues and the connection to Gender Trouble.

End song: “Dancing with Death,” discussed on Nakedly Examined Music #111 with Marty Willson-Piper.

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Ep. 235: Judith Butler’s “Gender Trouble” (Part Three)

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Concluding “Gender Trouble” (1990), with just Mark, Wes, and Seth going carefully through pt I, sec v: “Identity, Set, and the Metaphysics of Substance,” and pt III, sec iv: “Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions.”

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End song: “I’m a Boy” by Lys Guillorn as interviewed for Nakedly Examined Music #44.

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Ep. 235: Judith Butler’s “Gender Trouble” (Part Two)

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More Gender Trouble (1990) with Jennifer Hansen. We get into the metaphysics of substance (is gender an attribute that a person has, or is there a better way to describe the situation?), performatives, Beauvoir vs. Irigaray on femininity, and the available mechanisms for changing gender norms.

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Ep. 235: Judith Butler’s “Gender Trouble” (Part One)

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On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how?

Butler describes gender not as an essential quality of a person, but as “performed,” as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen.

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Ep. 234: Beauvoir on Romance in “The Second Sex” (Part Two)

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Concluding Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen.

We continue on the ailments of women under patriarchy as well as the existential problems that we’re all subject to. Are we doomed to isolation, or does existentialism allow for intimacy? Is marriage in “bad faith”? We also talk narcissism, abjection, and the film Marriage Story.

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End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.

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Ep. 234: Beauvoir on Romance in “The Second Sex” (Part One)

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On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another’s eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time!

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Ep. 233: Plato’s “Protagoras” on Virtue (Part Two)

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Continuing on the dialogue, where Socrates argues that Protagoras doesn’t actually know what virtue is, because he thinks that the various virtues (especially courage) are distinct, a claim that Socrates refutes in several (logically suspect) ways.

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End song: “Make It Clear” by Feelies; hear Glenn Mercer on Nakedly Examined Music #41.

Ep. 233: Plato’s “Protagoras” on Virtue (Part One)

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On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.

What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.

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About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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