PMP#229: What’s Spider-Man Up To?

It's been 2019 since our last Spider-Man episode, so what's with the new film (Brand New Day), and the Spider-Verse, and Nicholas Cage being Spider Noir? Mark, Lawrence, Sarahlyn and Al discuss in this, our SEASON FINALE! Follow us @law_writes, @sarahlynbruck, @MarkLinsenmayer. Due to supernatural events, the world has forgotten Al's social media presence. Get more at  Continue Reading …

PMP#228: Spielberg’s Alien Fetish

We discuss the various films Steven Spielberg has released about alien encounters: Close Encounters of the Third Kind (1977), E.T. The Extra Terrestrial (1982), War of the Worlds (2005), and our inciting film, Disclosure Day. Of these, Spielberg had a story or writing credit for all but War of the Worlds, and they form a semi-coherent narrative between them. Featuring Mark,  Continue Reading …

Pretty Much Pop #227: The Odyssey: Epic Film

We discuss the already over-discussed Christopher Nolan adaptation of Homer's classic poem. Mark, Lawrence, Sarahlyn and Al discuss their cinema-going experiences, Ludwig Göransson's soundtrack, choices re. the book-to-film transition, the various performances, the Emily Wilson connection, and more. Listen to Mark's Emily Wilson Odyssey (the book) PEL interview. Read her  Continue Reading …

PMP#226: Toy Story Played Out

In light of Toy Story 5, the gang (Mark, Lawrence, Sarahlyn and Al) consider the Pixar franchise that started in 1995. We consider the premise whereby your toys are loyal slaves that come to life whenever unobserved, the critique of screen-play in the new film, the use of nostalgia in the films, the repetition and/or escalation throughout the series, the horror-adjacency of  Continue Reading …

Pretty Much Pop #224: Fantasy Novels Galore

It's a special one-on-one conversation where Mark and Al share their mutual interest in fantasy novels. Is "high fantasy" fundamentally different than the stuff we enjoyed as kids? Did Peter Jackson's Lord of the Rings and HBO's Game of Thrones show us that these literary doorstops are adaptable, or were they rare successes? We're recording this partly in anticipation of the  Continue Reading …

Pretty Much Pop #223: What Is Star Wars Now?

In light of The Mandalorian and Grogu (and the Disney+ Darth Maul cartoon), we (Mark, Lawrence, Sarahlyn, and Al) check back in with Star Wars. Is it now "just another franchise"? Does the movie meet expectations? What's the right volume of Star Wars media? Are the cartoons good? What variety of creators and genres is there room for? Should anyone bother with the books and  Continue Reading …

Pretty Much Pop #222: Lordlings of the Flies

In light of the new, well-acted and well-shot BBC/Netflix adaptation, we discuss William Golding's 1954 novel Lord of the Flies and its previous (1963, 1991) adaptations. Featuring Mark, Lawrence, Sarahlyn and Al. What do we think of the updates made for this retelling? Its pacing? Its repeated close-up shots of kids' silent faces? Is this per usual obviously inferior to the  Continue Reading …

Pretty Much Pop #221: Streep Does Prada

We discuss the career of Meryl Streep in light of The Devil Wears Prada 2, insofar as we (Mark, Lawrence, Sarahlyn, and Al) have a hold of it; she's been in over 65 films! Is she really the best actor on the planet? Did Prada need a sequel? We all brought in our own experiences with her catalog, touching on Sophie's Choice, Kramer vs. Kramer, A Cry in the Dark, Adaptation,  Continue Reading …

Pretty Much Pop #220: Peaky Blinders: Gangs of Birmingham

We discuss Steven Knight's six-seasons-and-a-movie historical crime show Peaky Blinders (2013-2026), featuring Mark, Lawrence, Sarahlyn, and Al. Does the show live up to its initial excellence? It's got a great emotional premise (post-WWI PTSD), and there's a ridiculous amount of gravitas among the cast (especially Cillian Murphy, but he's matched by a couple of foils per  Continue Reading …

Pretty Much Pop #219: Weir-ed Sci Fi: Hail Mary and The Martian

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics,  Continue Reading …

PMP#218: All the “Scream”-ing

We talk about the Scream meta-slasher film franchise, from the original Wes Craven (director)/Kevin Williamson (writer) 1996 debut starring Neve Campbell, and Courtney Cox to the new one (#7), still with Kevin Williamson (now directing, Wes Craven being dead), Neve Campbell, and Courtney Cox. Our discussion includes Mark, Lawrence, and Sarahlyn. (Hear Lawrence also talk about  Continue Reading …

PMP#217: Mel Brooks’ Old Comedy

In light of Judd Apatow's HBO documentary The 99-Year-Old Man, we discuss the films of Mel Brooks, which were to varying degrees formative on us (us being Mark, Lawrence, Sarahlyn, and Al). Does the humor of, say, History of the World, Part I hold up? Does Blazing Saddles say anything substantial about race? Are we now in any position to see how cutting-edge it was to make  Continue Reading …

PMP#216: Oscars So Black?

In light of the now-completed black history month and the upcoming Oscars, we consider the "Oscars So White" issue that was a hot topic about a decade ago. We all tried to watch some of the Oscar-nominated films by black creators, like Twelve Years a Slave, Moonlight, Judas and the Black Messiah, Boyz in Da Hood, et al. What makes for a critically lauded drama in this  Continue Reading …

PMP#215: Hamnet Dramatizes Shakespeare

When we don't know much about some genius playwright's life, why not make up some things based on the contents of his plays? Maybe put Shakespearean dialogue right in character's mouths, so the audience will say, "hey, I remember that line!" Mark, Lawrence, Sarahlyn, and Al talk through the Chloe Zhao Oscar-bait historical drama, Hamnet, and its source, the 2020 novel by  Continue Reading …

Pretty Much Pop #214: South Park Resurgence

We're discussing Trey Parker and Matt Stone's Comedy Central show that premiered in 1997 and has just finished its politically relevant 28th season, featuring the usual crew: Mark, Lawrence, Sarahlyn, and Al. How can a show be so juvenile yet so apparently well thought out? Was its purest form right there in its initial shorts (from 1992 and 1995) and first season, or in the  Continue Reading …

PMP#213: Stranger Things Grown Familiar

The Netflix sci-fi/horror/teen series by the Duffer Brothers that started in 2016 has now finished with its sixth season, attempting to be both epic and sentimental. Who is this show actually aimed at? We talk about the initial appeal through various uneven seasons through the execution of the finale. Has the thing gone on so long that we can't make sense out of the continuity.  Continue Reading …

Pretty Much Pop #212: Holiday Romance Films

The Hallmark Channel became famous for producing low-budget, formulaic Christmas films aimed at women, and this spread to Lifetime and Freeform, and now Netflix and other mainstream outlets have been inspired to create similar features, though with higher budgets and less conservative restrictions. Mark, Lawrence, Sarahlyn, and Al each watched a smattering of these and share  Continue Reading …

Pretty Much Pop #211: Slow Horses and Predecessors

Mark, Lawrence, Sarahlyn and Al discuss the Apple TV+ British spy show based on the novels of Mick Herron adapted by Will Smith (the British one), which are in turn firmly in a tradition of anti-007 books by John le Carré. Not coincidentally, Gary Oldman is the star both of Slow Horses and of the 2010 version of le Carré's Tinker Tailor Soldier Spy. The point is not to  Continue Reading …

Pretty Much Pop #210: One Paul Thomas Anderson Film After Another

In light of One Battle After Another, Mark, Lawrence, Sarahlyn, and Al walk through the range of his films from his 1996 crime film Hard Eight through his much lauded Magnolia, Boogie Nights, Punch-Drunk Love, and There Will Be Blood and his more controversial recent ones like Licorice Pizza, The Master, The Phantom Thread, and Inherent Vice. PTA is obviously an extremely  Continue Reading …