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Episode 185: Ethics in Homer’s “Odyssey” Feat. Translator Emily Wilson (Part Two)

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Continuing with Emily Wilson on her translation of the Greek epic poem. We discuss the oikos, or estate, built on violence, and its connection to xenia, or hospitality, which serves to forge military alliances. Also: status distinctions and the role of the gods in the text.

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End song: “Tiny Broken Boats” by Arrica Rose, as interviewed on Nakedly Examined Music #66.

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Episode 185: Ethics in Homer’s “Odyssey” Feat. Translator Emily Wilson (Part One)

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On the classic Greek epic poem, written ca. 750 BC and translated by our guest Emily Wilson in 2018.

Does this story of “heroes” have anything to teach us about ethics? Wilson wrote an 80-page introduction to her new translation laying out the issues, including “hospitality” as a political tool, the value for status and identity of one’s home (including your family and slaves), and the tension between strangeness and familiarity. Can time and change really be undone?

Don’t wait for part 2! Get the unbroken, ad-free Citizen Edition now. Please support PEL!

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Episode 185: Ethics in Homer’s “Odyssey” Feat. Translator Emily Wilson (Citizen Edition)

by 2 Comments

On the classic Greek epic poem, written ca. 750 BC and translated by our guest Emily Wilson in 2018.

Does this story of “heroes” have anything to teach us about ethics? Wilson wrote an 80-page introduction to her new translation laying out the issues, including “hospitality” as a political tool, the value for status and identity of one’s home (including your family and slaves), and the tension between strangeness and familiarity. Can time and change really be undone?

End song: “Tiny Broken Boats” by Arrica Rose, as interviewed on Nakedly Examined Music #66.

About The Partially Examined Life

The Partially Examined Life is a philosophy podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a text and chat about it with some balance between insight and flippancy. You don’t have to know any philosophy, or even to have read the text we’re talking about to (mostly) follow and (hopefully) enjoy the discussion

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