The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
On “Theoretical Picture of a Free Society” (1934).
What’s the ideal living situation for us all, given the peculiarities of human nature? Weil describes fulfillment as coming from being able to picture goals and plans and knowingly put them into effect, so social groups need to maximize that power by being small and cooperative.
End song: “Libreville” by Bill Bruford, as interviewed for Nakedly Examined Music #25.
Concluding on “The Needs of the Soul” from The Need for Roots (1943). This time we cover punishment, security, risk, private property, collective property, freedom of opinion, and truth.
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End song: “Even Though the Darkest Clouds” by liar, flower. Mark interviewed KatieJane Garside on Nakedly Examined Music #127.
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Continuing on “The Needs of the Soul” from The Need for Roots (1943). We got started in part one with our need for order, and in this part we add liberty, obedience, responsibility, equality, hierarchy, and honor.
We’ll conclude with part 3, covering freedom of speech, punishment and more, but you needn’t wait: Get the full, ad-free Citizen Edition now. and you’ll also get our Nightcap recordings.
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On “The Needs of the Soul” from The Need for Roots (1943) and “Meditation on Obedience and Liberty” (1937).
What are our needs that should then drive what kind of society would be best for us? Weil says we need liberty yet obedience, equality yet hierarchy, security yet risk… and none of these words mean quite what you’d think. And to start off, why do the many obey the few?
Don’t wait for Part Two; get the full, ad-free Citizen Edition now. Please support PEL! Support for this discussion came from listener Charles, who dedicates it to Temple Grandin.
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On “The Needs of the Soul” from The Need for Roots (1943) and “Meditation on Obedience and Liberty” (1937).
What are our needs that should then drive what kind of society would be best for us? Weil says we need liberty yet obedience, equality yet hierarchy, security yet risk… and none of these words mean quite what you’d think. And to start off, why do the many obey the few?
End song: “Even Though the Darkest Clouds” by liar, flower. Mark interviewed singer KatieJane Garside on Nakedly Examined Music #127.
Continuing on Albert Camus’s 1947 novel, covering the old functionary Grand, the criminal (or just paranoid?) Cottard, and more of our narrators Dr. Rieux and his doomed friend Tarrou, plus more on the overall message of the book and how it might relate to our current situation.
Start with part one or get the unbroken Citizen Edition. Please support PEL!
End song: “You Will Kill the One You Love” by Jack Hues, as interviewed on Nakedly Examined Music #122.
On Albert Camus’s existentialist novel The Plague. How shall we face adversity? Camus gives us colorful characters that embody various approaches. Yes, the plague is an extreme situation, but we’re all dying all the time anyway, right?
Join Mark, Wes, Dylan and Seth to tease out Camus’s positions from this bleak yet colorful text.
Don’t wait for part two; get the unbroken Citizen Edition now. Please support PEL!
On Albert Camus’s existentialist novel The Plague. How shall we face adversity? Camus gives us colorful characters that embody various approaches. Yes, the plague is an extreme situation, but we’re all dying all the time anyway, right?
End song: “You Will Kill the One You Love” by Jack Hues, as interviewed on Nakedly Examined Music #122.
Concluding Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen.
We continue on the ailments of women under patriarchy as well as the existential problems that we’re all subject to. Are we doomed to isolation, or does existentialism allow for intimacy? Is marriage in “bad faith”? We also talk narcissism, abjection, and the film Marriage Story.
Start with part 1 or get the Citizen Edition. Please support PEL!
End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
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On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another’s eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time!
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On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. We explore the maladies of love, try to figure how B’s picture relates to modern romance and what her positive prescription for good love is, and use the recent film A Marriage Story as a case study.
End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
Continuing Simone de Beauvoir’s The Second Sex (1949) with guest Jennifer Hansen.
How does one become a Subject and how do women traditionally get shut out of this process? We get into Vol. 2, “Lived Experience” where Beauvoir details how this drama unfolds in various stages of life. Also, religion, logic, the relation of biology to situation, and more. How do we modernize Beauvoir’s critique given the evolution in women’s positions since the book was written?
Start with part one or get the full, ad-free Citizen Edition. Please support PEL!
End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.
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On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.
According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.
Continue with part 2 or get the unbroken Citizen Edition. Please support PEL!
Sponsor: Give effectively through givewell.org/PEL.
On Simone de Beauvoir’s The Second Sex (1949): the intro, conclusion, “Woman’s Situation and Character” and parts of “Lived Experience,” with guest Jennifer Hansen.
According to Beauvoir, Woman is historically conceived of by society (and herself) as “Other,” as not a Subject who creates and makes decisions. Her life is predetermined, revolving around marriage and child-bearing, and is so deformed by this situation.
End song: “Wrong Side of Gone” by Beth Kille as discussed on Nakedly Examined Music #13.
Continuing on “The Present Age” (1846), plus Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004) with guest John Ganz.
Does K’s critique actually apply to our present age? We address K’s view of humor, romance, authenticity, actual community vs. “the public,” the leveling that occurs without anyone specific actually doing it, and the virtue of silence.
Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL!
End song: “Wry Observer” by Aaron David Gleason, as discussed on Nakedly Examined Music #71.
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On Soren Kierkegaard’s essay “The Present Age” (1846) and Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004).
What’s wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz.
Don’t wait for part 2; get the full, ad-free Citizen Edition now. Please support PEL!
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On Soren Kierkegaard’s essay “The Present Age” (1846) and Hubert Dreyfus’s “Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age” (2004).
What’s wrong with our society? Kierkegaard saw the advent of the press and gossip culture as engendering a systematic passivity and shallowness in his fellows, and Dreyfus thinks this is an even more apt description of the Internet Age. With guest John Ganz.
End song: “Wry Observer” by Aaron David Gleason, as discussed on Nakedly Examined Music #71.
Kierkegaard instead of Prozac? That is the suggestion of Dr. Gordon Marino—leading Kierkegaard scholar, professional boxing coach, and author of The Existentialist’s Survival Guide: How to Live Authentically in an Inauthentic Age.
On Jean-Paul Sartre’s What is Literature? (1948), ch. 1 and 2.
What’s the purpose of literature? Why write prose as opposed to poetry? Sartre argues that while poetry is about the words themselves, prose is about the ideas, so it’s necessarily political. A written work is essentially an ethical appeal for a reader to apply his or her own faculties and experiences to complete the work through the act of reading.
Continue on part 2, or get your ad-free, unbroken Citizen Edition. Please support PEL!
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On Jean-Paul Sartre’s What is Literature? (1948), ch. 1 and 2.
What’s the purpose of literature? Why write prose as opposed to poetry? Sartre argues that while poetry is about the words themselves, prose is about the ideas, so it’s necessarily political. A written work is essentially an ethical appeal for a reader to apply his or her own faculties and experiences to complete the work through the act of reading.
End song: “Things I Shouldn’t Have Told You” by Sam Phillips, as interviewed on Nakedly Examined Music #90.
