On Pretty Much Pop, a philosopher, an actor, and a sci-fi writer (often with entertainment industry guests) talk about media and how we consume it: TV, film, music, novels, games, comics, comedy, theater, podcasts, and more. Most of what (other) people like is pretty weird when you think about it, so thinking about it is what we do.
We consider the highly lauded 2019 film The Irishman in the context of Scorsese's body of work and the styles and themes that his films tend to exhibit. Writer/podcaster Colin Marshall joins Mark, Erica, and Brian to talk about what we do and don't connect with in Scorsese's work and how these films qualify as "art films" despite their watchability, not to mention the big Continue Reading …
Pretty Much Pop #28: The Alpha Female Trope w/ Margaret Colin
What's the deal with images of powerful women in media? The trope of the tough-as-nails boss-lady who may or may not have a heart of gold has evolved a lot over the years, but it's difficult to portray such a character unobjectionably, probably due to those all-too-familiar double standards about wanting women in authority (or, say, running for office) to be assertive but not Continue Reading …
Pretty Much Pop #27: For the Love of Star Wars
Mark, Erica, and Brian grasp the low-hanging fruit in pop culture to talk about Star Wars: The unique place that these films have in the brains of people of a certain age, how we grappled with the prequels, and why we feel the need to fill in and argue about the details. We primarily focus on the two most recent emanations of this beast, The Mandalorian and Rise of Continue Reading …
Pretty Much Pop #22: Untangling Time Travel
Time-travel rules in The Terminator franchise are notoriously inconsistent. Is it possible for someone from the future to travel backwards to change events, given the paradox that with a changed future, the traveler wouldn't then have had the problem to try to come back and fix? Neither the closed-loop series of events in the first film nor the changed (postponed) future in the Continue Reading …
Pretty Much Pop #12: Once Upon a Tarantino Film (feat. Wes!)
Wes Alwan joins Mark, Erica, and Brian to discuss Quentin Tarantino’s Once Upon a Time… In Hollywood in the context of Tarantino’s other films. Wes thinks the film is great, even though he’s not actually a Tarantino fan, and is working on a very long essay on it. We consider T’s strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is Continue Reading …
Pretty Much Pop #8: Spider-Man: Far From Home (and Elsewhere)
Mark, Erica, and Brian finally cover a current film, and of course use it as an entry point in discussing the social function of super-hero films more generally, how much realism or grittiness is needed in such stories, whether to repeat or bypass the origin story, everlasting franchises, the use of multi-verses as a storytelling device, exaggerating the potential in a story of Continue Reading …