NEM#133: Jon Hassell (and Rick Cox): Fourth World Improvisation

Jon started playing trumpet with composers like Terry Riley and La Monte Young in the late 60s, has since guested with Peter Gabriel, Talking Heads, Ani DiFranco, Ry Cooder, et al, and has released 18 solo albums since 1977.

We discuss “Unknown Wish” from Seeing Through Sound: Pentimento Volume 2 (2020), “Manga Scene” from Listening to Pictures: Pentimento Volume 1 (2018), “Toucan Ocean” from Vernal Equinox (1977), and listen to the title track from Last Night the Moon Came Dropping Its Clothes in the Street (2009). Intro: “Chemistry” by Jon Hassell/Brian Eno from Fourth World Music I: Possible Musics (1980). For more see jonhassell.com.

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NEM#122: Jack Hues (from Wang Chung) Plays Jazz and Prog

Jack fronted Wang Chung for five albums in the ’80s, left the limelight to produce, and got a jazz combo going by 2000 which he’s released five albums with, reformed Wang Chung, and only now is having a debut solo release, the double album Primitif.

We discuss “Whitstable Beach” from that album, “Class War and Sex War” by Jack Hues and the Quartet from A Thesis on the Ballad (2015), and “Brahms Blues” by The-Quartet from Illuminated. (2006) We conclude by listening to “To Live and Die in L.A.” by Wang Chung from Ochesography (2019).

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NEM #55 Bonus: More Conversation and Tunes with Don Preston

After listening to Nakedly Examined Music ep. 55, feast on this conversation about whether music progresses and where it might be progressing to now, among other topics. Includes about 15 minutes of talking plus songs: “Peaches En Regalia Live” by the Grandmothers from Eating the Astoria (2000), “Inner Blues (Not a Blues)” by the Don Preston Trio from Transformation (2001), and “Loki” from Io Landscapes (2004).

NEM #55: Don Preston, Mother of Keyboard Invention

Don has composed and played jazz since the ’50s, was a Frank Zappa sideman through his classic ’60s albums and beyond, and has since released 20+ albums, scored 20 films, and has performed with numerous artists including John Lennon, Lou Rawls, and Nat King Cole. He has also been called “the father of modern synthesis” for his work in electronic music.

We discuss “Winds of Change” (3rd movement, 2001), “Palmer Park” (1975), and “Analog Heaven #7” (1975). End song: “Piano Solo” from TriAngular Bent (2016). Opening/closing music: “King Kong” from Uncle Meat by the Mothers of Invention (1969).

This conversation includes bonus conversations and songs! Get it by supporting the podcast via patreon.com/nakedlyexaminedmusic or through a podcast network membership.

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NEM #30: Paul Wertico and David Cain: Improv Without a Net

Seven-time Grammy winning drummer Paul Wertico and his multi-talented cohort David Cain are two-thirds of Wertico, Cain and Gray, an improvisational, “impressionistic” jazz trio who have released five albums since 2013.

We discuss six tracks from Short Cuts: 40 Improvisations (2016) and “Where Brush Meets Flow (Go Van Gogh)” from Sound Portraits (2013). Intro music: “Destroy the Box” from Organic Architecture (2014).

Hear and see more at werticocainandgray.com.

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