Given the existentialist emphasis on concrete personal experience, freedom, authenticity, responsibility, awareness of death, and personal determination of values, it is not surprising that existentialist philosophers should also consider the question of romantic love.
How Plato’s “Phaedrus” Influenced Thomas Mann’s “Death in Venice”
This beautiful novella draws heavily from Plato’s conception of love, but to what extent?
Episode 142: Plato’s “Phaedrus” on Love and Speechmaking
Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this “Platonic” love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it’s a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose.
End song: “Summertime” by New People, from Might Get It Right (2013).
Episode 142: Plato’s “Phaedrus” on Love and Speechmaking (Citizen Edition)
Socrates hangs out in the country flirting with his buddy Phaedrus. And what is this “Platonic” love? Using the enticement of desire not to rush toward fulfillment, but to get you all excited about talking philosophy. Socrates critiques a speech by renowned orator Lysias, who claimed that love is bad because it’s a form of madness, where people do things they then regret after love fades. Socrates instead delivers a myth that shows the spiritual benefits of loving and being loved. With guest Adam Rose of Great Discourses.
End song: “Summertime” by New People, from Might Get It Right (2013).
Episode 133: Erich Fromm on Love as an Art
On Fromm’s The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one “falls” into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health.
End songs: “Kimmy” (1995) and “Kimmy 2002” by Mark Lint.
Episode 133: Erich Fromm on Love as an Art (Citizen Edition)
V-Day Special! On Fromm’s The Art of Loving (1956). What is love, really? This psychoanalyst of the Frankfurt school thinks that real love is not something one “falls” into, but is an art, an activity, and doing it well requires a disciplined openness and psychological health. Love is the answer to the deep human need to rid ourself of isolation, but a mere sexual union won’t provide real intimacy. To connect the center of your being with the center of another’s being, you need to really know yourself and know the other, and this knowing requires an overall openness that amounts to a love of humanity, a feeling of oneness with nature, and an overall orientation toward the good, which is what he considers a mature take on “love of God.”
End songs: “Kimmy” (1995) and “Kimmy 2002” by Mark Lint.
Episode 100: Plato’s Symposium Live Celebration!
Our big live episode (also on video) about love, sex, self-improvement, and ancient Greek pederasty! Featuring a set by Mark Lint, plus Philosophy Bro on Plato’s “Apology.” You can also choose to watch this on video. Learn more.
Episode 100: Plato’s Symposium Live Celebration!
Our big live episode (also on video) about love, sex, self-improvement, and ancient Greek pederasty! Featuring a set by Mark Lint, plus Philosophy Bro on Plato’s “Apology.”
Topics for #97-100: Sandel, Symposium, and What We’ve Learned
Ep 97 and 98: Michael J. Sandel, Ep 99: What Have We Learned, Ep 100: Plato’s Symposium
Christian Realism and Holy War
“Christian Realism” — even Christians ought to struggle with David Brook’s latest invention. How delightful to juxtapose other-worldliness and practicality! But to really understand it, replace “Christian” with “love” and “Realism” with “War.” Meaning, “I love war, but I wage it only out of love.” It’s almost a self-parodying confirmation of Nietzsche’s critique of the human capacity for turning aggression into Continue Reading …