Subscribe to get Part 2 of this episode. Listen to a preview. Hear this part ad-free. On Susanne Langer's Philosophy in a New Key (1942), ch. 8-10 ("On Significance in Music," "The Genesis of Artistic Import," and "The Fabric of Meaning" respectively), plus ch. 7, "The Image of Time," from her Form and Feeling (1953). Is music a language? If it's "expressive," what exactly Continue Reading …
Ep. 289: Aesthetic Sense Theory: Shaftesbury, Hutcheson, Hume (Part One)
Subscribe to get Part 2 of this episode. Listen to a preview. Hear this part ad-free. On David Hume's "The Standard of Taste" (1760) and its two main influences: The Moralists: A Philosophical Rhapsody (1709) by Anthony Ashley-Cooper, aka the third Earl of Shaftesbury, Part III section 2 "Beauty," and An Inquiry Concerning Beauty, Order, Harmony, Design (1725) by Continue Reading …
Ep. 289: Aesthetic Sense Theory: Hume (Part Two for Supporters)
Continuing from part one, we get into more detail on David Hume's "The Standard of Taste" (1760). Hume starts out with a paradox: On the one hand, we believe that beauty is in the eye of the beholder; it's not a property of objects but of the interaction between an object and an observer. On the other hand, some works are obviously, objectively more beautiful than others, Continue Reading …
Ep. 289: Aesthetic Sense Theory: Shaftesbury, Hutcheson, Hume (Part One for Supporters)
On David Hume's "The Standard of Taste" (1760) and its two main influences: The Moralists: A Philosophical Rhapsody (1709) by Anthony Ashley-Cooper, aka the third Earl of Shaftesbury, Part III section 2 "Beauty," and An Inquiry Concerning Beauty, Order, Harmony, Design (1725) by Francis Hutcheson. Featuring Mark, Wes, Dylan, and Seth. How do we know what opinions about Continue Reading …
Ep. 288: Scruton on Ethical Art (Part One)
Subscribe to get Part 2 of this episode. Listen to a preview. Hear this part ad-free. On Roger Scruton's Beauty (2009), ch. 5-9, featuring Mark, Wes, Dylan, and Seth. The latter half of the book completes the survey of types of beauty that we discussed last episode by considering issues in our appreciation of artworks, and then develops a moral and political argument for Continue Reading …
Ep. 288: Scruton on Ethical Art (Part Two for Supporters)
Concluding our treatment of Roger's Scruton's Beauty (2009), ch. 5-9, from part one. We consider why we'd really be attracted to something that according to Scruton's account takes a lot of work. Dylan brings in architecture, which Scruton also wrote about, leading us to wonder about the form/function distinction and whether that standard in architecture (the fact that a Continue Reading …
Ep. 288: Scruton on Ethical Art (Part One for Supporters)
On Roger Scruton's Beauty (2009), ch. 5-9, featuring Mark, Wes, Dylan, and Seth. The latter half of the book completes the survey of types of beauty that we discussed last episode by considering issues in our appreciation of artworks, and then develops a moral and political argument for why relativism about taste, i.e. the "democracy of tastes" that says that all aesthetic Continue Reading …
Ep. 287: Roger Scruton on Beauty (Part One)
Subscribe to get Part 2 of this episode. Listen to a preview. Hear this part ad-free. On Beauty (2009), ch. 1-4, featuring Mark, Wes, Dylan, and Seth. Scruton just died in Dec. 2020; he had taught aesthetics for more than 30 years, and this book provides an overview of issues in the philosophy of art. The chapters we read this time include an overview chapter, then Continue Reading …
Ep. 287: Roger Scruton on Beauty (Part Two for Supporters)
Continuing from part one on Beauty (2009), ch. 1-4. We critically examine Scruton's claim that apprehending beauty is cognitive and never merely sensory, which would rule out, e.g. there being beautiful smells or tastes. We also go into points from Scruton's chapters on natural beauty, human beauty, and everyday beauty. Appreciation of natural beauty seems to be something Continue Reading …
Ep. 287: Roger Scruton on Beauty (Part One for Supporters)
On Beauty (2009), ch. 1-4, featuring Mark, Wes, Dylan, and Seth. Scruton just died in Dec. 2020; he had taught aesthetics for more than 30 years, and this book provides an overview of issues in the philosophy of art. The chapters we read this time include an overview chapter, then treatments of human beauty, beauty in nature, and everyday beauty (e.g. decorations, fashion, Continue Reading …
REISSUE-Ep 16: Arthur Danto on Art (w/ New Intro)
To anticipate our imminent return to studying aesthetics, Mark, Seth and Dylan newly introduce our very first episode in this area from way back in March 2010, featuring Mark, Seth and Wes discussing three chapters of Danto's The Philosophical Disenfranchisement of Art (1986): the title essay, "The Appreciation and Interpretation of Works of Art," and "The End of Art." What Continue Reading …
Ep. 246: Susan Sontag on Interpreting Art (Part Two)
Continuing on Sontag's essays “On Style” (1965) and "The Death of Tragedy” (1963). We keep talking about the appropriate distance to retain (or not) to a work of art, which is supposed to be relevant to moral action in the world. Art give us models of consciousness, of ways of being, with which we can identify. So what does all this mean for the evaluation of tragedy that Continue Reading …
Ep. 246: Susan Sontag on Interpreting Art (Part One)
On Sontag's essays “Against Interpretation” (1964), “On Style” (1965), and "The Death of Tragedy” (1963). What is it to understand a work of art? Sontag objects to critics' need to decode or translate literature into it's "meaning" or "content," divorcing it in the process from how this content is embodied. She argues that this content vs. form distinction isn't tenable; Continue Reading …
Ep. 246: Susan Sontag on Interpreting Art (Citizen Edition)
On Sontag's essays “Against Interpretation” (1964), “On Style” (1965), and "The Death of Tragedy” (1963). What is it to understand a work of art? Sontag objects to critics' need to decode or translate literature into it's "meaning" or "content," divorcing it in the process from how this content is embodied. She argues that this content vs. form distinction isn't tenable; Continue Reading …
Ep. 243: Aristotle’s “Poetics” on Art and Tragedy (Part Two)
Continuing on the Poetics from around 335 BCE, on the structure of plot (every element must be essential!), the moral status of the heroes, Homeric poetry, the difference between tragedy and history, and how Aristotle's formula may or may not apply to modern media. Wes maintains that tragedy does offer a unique, psychologically central benefit to us: Hanna Segal's "A Continue Reading …
Ep. 243: Aristotle’s “Poetics” on Art and Tragedy (Part One)
These probably-lecture-notes from around 335 BCE are still used in screenwriting classes today: Aristotle serves up a formula for what will most move us, derived from Sophocles's tragedies like Oedipus Rex. What is art? Aristotle says it's mimesis (imitation), and fiction (poetry) is imitation of human action in particular, in a manner that shows us what human nature is all Continue Reading …
Ep. 243: Aristotle’s “Poetics” on Art and Tragedy (Citizen Edition)
These probably-lecture-notes from around 335 BCE are still used in screenwriting classes today: Aristotle serves up a formula for what will most move us, derived from Sophocles's tragedies like Oedipus Rex. What is art? Aristotle says it's mimesis (imitation), and fiction (poetry) is imitation of human action in particular, in a manner that shows us what human nature is all Continue Reading …
Ep. 212: Sartre on Literature (Part One)
On Jean-Paul Sartre's What is Literature? (1948), ch. 1 and 2. What's the purpose of literature? Why write prose as opposed to poetry? Sartre was fending off criticism that his prose was too overtly political. Kant's view of art was still dominant, according to which good art is "disinterested," i.e., the spectator is supposed to appreciate the pure play of form. So if an Continue Reading …
Episode 212: Sartre on Literature (Citizen Edition)
On Jean-Paul Sartre's What is Literature? (1948), chs. 1 and 2. What's the purpose of literature? Why write prose as opposed to poetry? Sartre was fending off criticism that his prose was too overtly political. Kant's view of art was still dominant, according to which good art is "disinterested," i.e., the spectator is supposed to appreciate the pure play of form. So if an Continue Reading …
Ep. 207: Herder on Art Appreciation (Part Two)
Continuing on Johann Gottfried von Herder's “The Causes of Sunken Taste among the Different Peoples in Whom It Once Blossomed” (1775), then moving to “On the Influence of the Belles Lettres on the Higher Sciences” (1781), “Does Painting or Music Have a Greater Effect? A Divine Colloquy” (1785), and the sections about music and dance from the Critical Forests: Fourth Grove Continue Reading …