The Partially Examined Life Philosophy Podcast
A Philosophy Podcast and Philosophy Blog
Mark, Erica, and Brian discuss Michael Schur’s NBC TV show. Is it good? Does it actually teach moral philosophy? We talk sit-com tropes, TV finales, the show’s convoluted structure, the puzzle of heaven, and more.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
Concluding “Gender Trouble” (1990), with just Mark, Wes, and Seth going carefully through pt I, sec v: “Identity, Set, and the Metaphysics of Substance,” and pt III, sec iv: “Subversive Bodily Acts: Bodily Inscriptions, Performative Subversions.”
Start with part one or get the unbroken, ad-free Citizen Edition. Please support PEL!
End song: “I’m a Boy” by Lys Guillorn as interviewed for Nakedly Examined Music #44.
Please support the fight against leukemia at partiallyexaminedlife.com/cancer.
Julie joined the Adrian Belew Power Trio in 2006 and released two solo albums starting in 2010. She then joined another bassist, Marco Machera for four albums, the last three as Echotest. Why two basses? Because Julie uses tech to change the sound of her bass to allow her to cover an orchestra’s worth of parts.
We discuss “Ladies’ Legs at the Temperature Hotel” and “No, You Are Dead/The Gate of Light” by Echotest from Daughter of Ocean (2019), plus “Pi” from her solo album Terroir (2012), and listen to “Supercell” by Echotest from From Two Balconies (2017). Intro/Outro: “Mela” from Julie Slick (2010). For more, see julieslick.com.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get the ad-free feed.
Sponsor: Visit masterclass.com/EXAMINED for 15% off a MasterClass All-Access Pass.
Dave the New York Times culture reporter joins Mark, Erica, and Brian to consider issues raised by his 2018 biography Robin: What is with our f’ed up relation to celebrity, and what are strategies that celebrities use to deal with that asymmetric relationship to the world? Plus, Joaquin Phoenix, interview technique, the value of interviews, and more.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
More Gender Trouble (1990) with Jennifer Hansen. We get into the metaphysics of substance (is gender an attribute that a person has, or is there a better way to describe the situation?), performatives, Beauvoir vs. Irigaray on femininity, and the available mechanisms for changing gender norms.
Start with Part One or get the full, ad-free Citizen Edition now so that you don’t have to wait for Part Three. Please support PEL!
Sponsor: Visit feals.com/PEL for premium CBD; become a member and get 50% off and free shipping.
The 2020 Academy Awards are imminent (or maybe past, if you’re hearing this later; it’s fine!). Mark, Erica, and Brian, each argue in favor of three of the best picture nominees: that it should win, or maybe just will win. What is it to be an Oscar winner as opposed to the type of film that people actually like?
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how?
Butler describes gender not as an essential quality of a person, but as “performed,” as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen.
End song: “I’m a Boy” by Lys Guillorn as interviewed for Nakedly Examined Music #44.
On Gender Trouble: Feminism and the Subversion of Identity (1990). Is gender socially constructed, and if so, how?
Butler describes gender not as an essential quality of a person, but as “performed,” as habits of acting in certain ways in accordance with customs. Her idea of social construction is so totalizing that even biological sex itself is constructed. With guest Jennifer Hansen.
This is part 1 of 3, but you don’t need to wait. Get the full Citizen Edition now. Please support PEL!
Michaela has released four albums of carefully styled, lyrically rich country since 2011. From her latest, Desert Dove (2019), we discuss the title track, plus you’ll hear “By Our Design” as the intro and “Somebody New” as the closer. We also discuss “Worrying Mind” from Bright Lights and the Fame (2016) and “Is This What Mama Meant” from Ease My Mind (2014). For more, see michaelaanne.com.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon to get the ad-free feed.
We consider The Irishman in the context of Scorsese’s body of work and the styles and themes that his films tend to exhibit.
Writer/podcaster Colin Marshall joins Mark, Erica, and Brian to talk about connecting with Scorsese’s sensibility and their status as “art films.” Plus S’s use of music, comments on Marvel, CGI age alternation, and more.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
Concluding Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen.
We continue on the ailments of women under patriarchy as well as the existential problems that we’re all subject to. Are we doomed to isolation, or does existentialism allow for intimacy? Is marriage in “bad faith”? We also talk narcissism, abjection, and the film Marriage Story.
Start with part 1 or get the Citizen Edition. Please support PEL!
End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
Please contribute to the Leukemia/Lymphoma Society through Mina Linsenmayer’s campaign at partiallyexaminedlife.com/cancer.
What’s the deal with images of powerful women in media? The trope of the tough-as-nails boss-lady who may or may not have a heart of gold has evolved a lot over the years, but it’s difficult to portray such a character unobjectionably.
Margaret was a lead in Independence Day and The Devil’s Own, is a mainstay on Broadway, and has appeared on TV roles like the mother of the Gossip Girl and as an unscrupulous newscaster on the final seasons of VEEP. She leads Mark, Erica, and Brian through an instructive tour through her career playing assertive women.
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. What is love under patriarchy? We all want to achieve solidity in another’s eyes, but the Othered woman wants to live through the man, and the man sees the woman as his rejected corporeal character. Party time!
Don’t wait for part two; get the full, ad-free, unbroken Citizen Edition now! Please support PEL!
Sponsors: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service. Visit Keeps.com/EXAMINED for a free month of hair loss medication.
Please consider contributing to the Leukemia/Lymphoma Society through Mina Linsenmayer’s campaign; see partiallyexaminedlife.com/cancer.
On Simone de Beauvoir’s The Second Sex (1949): “The Woman in Love” and “Myths” with guest Jennifer Hansen. We explore the maladies of love, try to figure how B’s picture relates to modern romance and what her positive prescription for good love is, and use the recent film A Marriage Story as a case study.
End song: “Easier than Leaving” by Michaela Anne, interviewed on Nakedly Examined Music #114.
http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/NEM_ep_113_11-12-19.mp3Podcast (nakedly-examined-music-podcast): Play in new window | Download (Duration: 1:06:59 — 61.5MB)The Monochrome Set has under the leadership of Bid released 15 albums of eccentric British pop since 1980, and he’s had another nine as Scartlet’s Well. His songs often employ a ’60s dance vibe, literary lyrics, and a try-anything approach to arrangements. We discuss “Eux Tous” from Fabula Mendax Continue Reading …
http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_027_1-3-20.mp3Podcast: Play in new window | Download (Duration: 47:45 — 44.9MB) Mark, Erica, and Brian grasp the low-hanging fruit in pop culture to talk about Star Wars: The unique place that these films have in the brains of people of a certain age, how we grappled with the prequels, and why we feel the need to fill in and argue Continue Reading …
Continuing on the dialogue, where Socrates argues that Protagoras doesn’t actually know what virtue is, because he thinks that the various virtues (especially courage) are distinct, a claim that Socrates refutes in several (logically suspect) ways.
Start with part one, or get the full, ad-free Citizen Edition. Please support PEL!
End song: “Make It Clear” by Feelies; hear Glenn Mercer on Nakedly Examined Music #41.
Covering Alan Moore’s 1986 graphic novel, the new HBO series and the 2009 film.
Mark, Erica, and Brian are joined by David, psych prof at Cornell and host of Very Bad Wizards. How does Moore’s style translate to the screen? How well did the show handle politics? Should there be a second season?
For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.
This podcast is part of the Partially Examined Life network and is curated by openculture.com.
On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.
What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.
Don’t wait for part two; get the full, ad-free Citizen Edition now. Please support PEL!
Sponsor: Visit thegreatcoursesplus.com/PEL for a free trial of The Great Courses Plus Video Learning Service.
On the Platonic dialogue written around 380 BCE about an encounter between Socrates and one of the leading Sophists of his day.
What is virtue (“the political art” according to Protagoras), and can it be taught? What are the relations of the various virtues to each other? Do they really amount ultimately to one and the same thing, i.e., wisdom? In this entertaining dialogue, Socrates and Protagoras swap positions, and Socrates seems to parody the Sophists’ style.
End song: “Make It Clear” by Feelies; Mark interviewed Glenn Mercer on Nakedly Examined Music #41.
