The 2020 Academy Awards are imminent (or maybe past, if you’re hearing this later; it’s fine!). Mark, Erica, and Brian, each argue in favor of three of the best picture nominees: that it should win, or maybe just will win. What is it to be an Oscar winner as opposed to the type of film that people actually like?
We consider The Irishman in the context of Scorsese’s body of work and the styles and themes that his films tend to exhibit.
Writer/podcaster Colin Marshall joins Mark, Erica, and Brian to talk about connecting with Scorsese’s sensibility and their status as “art films.” Plus S’s use of music, comments on Marvel, CGI age alternation, and more.
What’s the deal with images of powerful women in media? The trope of the tough-as-nails boss-lady who may or may not have a heart of gold has evolved a lot over the years, but it’s difficult to portray such a character unobjectionably.
Margaret was a lead in Independence Day and The Devil’s Own, is a mainstay on Broadway, and has appeared on TV roles like the mother of the Gossip Girl and as an unscrupulous newscaster on the final seasons of VEEP. She leads Mark, Erica, and Brian through an instructive tour through her career playing assertive women.
http://podtrac.com/pts/redirect.mp3/traffic.libsyn.com/partiallyexaminedlife/PMP_027_1-3-20.mp3Podcast: Play in new window | Download (Duration: 47:45 — 44.9MB) Mark, Erica, and Brian grasp the low-hanging fruit in pop culture to talk about Star Wars: The unique place that these films have in the brains of people of a certain age, how we grappled with the prequels, and why we feel the need to fill in and argue Continue Reading …
Time travel rules in The Terminator franchise are notoriously inconsistent. Can we change the future or not?
Mark, Erica, and Brian are joined by Ken Gerber to talk through time travel rules and plots, covering the randomness of Dr. Who, being your own grandfather, time travel comedies, time loops, freezing time, historical tourism, and more.
Sponsor: Visit mackweldon.com and enter the promo code POP for 20% off underwear, sportswear, and more.
Wes Alwan joins Mark, Erica, and Brian to discuss Quentin Tarantino’s Once Upon a Time… In Hollywood in the context of Tarantino’s other films. We consider T’s strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a brilliant film or a fundamentally misguided idea badly in need of an editor?
Mark, Erica, and Brian discuss the function of super-hero films and how this new one fits in. Do we need “realism” in such stories? When does a premise like this get too old to keep recycling?